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It is unlikely that Young Thug is the first name that comes to mind when the subject of "bars" is discussed. With a service far removed from the formal tradition, Thugger's approach to writing is based on slight modifications of the English language. The syllables bend at his whim, the oblique rhymes sink forcefully into the onomatopoeia. His eclectic toolbox of cadences allows him to embody a variety of different characters, each of whom delivers rhymes in a distinct way. It is never clear which variant will be retained, although some producers tend to cause specific transformations; like a full moon to a werewolf.
Some prefer Thugger in his melodic bag, a style he has perfected at the moment of his career. But with one of hip-hop's most impressive languages, complemented by an original Slime Language lexicon and a surprisingly wide depth of referential knowledge, Thug's bars are some of the most exquisitely unique in the game. he will never sit alongside Funkmaster Flex and will not arouse a wide-eyed reaction, Big Jeffery has consolidated himself as a respectable lyricist in the eyes of his fans. And maybe with So much pleasure Collecting all the votes, the game in general begins to attract attention.
If you are not convinced by Thugger's underrated pen game (dare I say), look no further than the following: Starter Kit. Now, this is not a cumulative list of the top 10 Young Thug rappers of all time – nothing as decisive as this one. Consider this simple reminder of his wildest, craziest and heaviest rhymes to date.
DRIPPIN '
Slime Season 3 proved that the third time was the charm. "Drippin," produced by Allen Ritter, summons a clueless Thug to the table, who plays the instrumental with a magnetic ear. Is not it fair to put him in the running for the top five streams in the current state of the game? The way he structures a verse is unparalleled, and "Drippin '" leaves him the space to sift through voices such as video game skins to unlock. The combination of raw energy, charisma and simple bluster makes "Drippin '" a flagship title of a remarkable mixtape.
HOMIE ft MEEK MILL
Young Thug breathes from time to time the slightest hint of Victorian talent. Its dandy-esque aesthetic only enhances its wax personality; he may be adorned with cheap fabrics, but he holds the weapon in his sleeve. On the Young Martha lead-single "Homie", Thug leaves a space to weave his own legend, taking for a baroque banger breathtaking mouth fucked. "If a cat is playing with me, swear to God that Franklin can not save him," spits Thug, slipping into a new cadence to emphasize the gravity of his threat. "I can help you calm down very easily, you are not a Power Ranger, you are a stranger." Fighting one-on-one with Meek Mill is not always easy, but Thugger is up to the task – a testament to his position. in the hierarchy of talents of the game.
OFFSHORE with SWAE LEE
One of the most popular favorites in 2018, "Offshore", could very well have been the alternative title of "Young Thug Snaps". What makes Swae Lee's underestimated piece so memorable is the way in which Thugger takes his approach. He is easily lost in the aquatic atmosphere of Mike WiLL, using his voice as an additional instrument. Structurally, Thugger's triumphant soliloquy reveals his mastery of rhythm, which flows naturally and evolves naturally as intensity rises. To threaten to upset Donald Trump to make fun of his feminine perception, Thugger's turn on "Offshore" could be among its best.
SACRIFICES with DRAKE & 2 CHAINZ
To establish oneself fully as an elite, one must stand with the elite and emerge in a remarkable way. That's exactly what happened More life "Sacrifices", a cut composed of Drake's verses, 2 Chainz and Jeffery. In honor, Mr. Thugger intervenes to such an extent that a good number of comments from YouTube highlight his performance. Thug demonstrates a nasty skill, playful enough to arouse grimaces, while serving more punchlines than usual. And what should not be loved in a specific reference to the epidemic of wood clowns of 2017? Although Drizzy and 2 Chainz both worked, it's fair to say that Young Thug did some laps around the competition – as healthy as it is.
harambe
Some still consider that Jeffery is the decisive time for Thug, and for good reason. Concise, musically varied and adventurous, the project was a turning point for Chief Slime, especially as regards his critical status. And even if it featured a variety of Thugs, the craziest moment of the album was to be "Harambe", which appropriately channels the energy of its beloved namesake. The track is an interesting track to look at, because Thugger's words are superficial, which may be lacking in the bar department. But the absolute conviction with which he speaks, a quick hell of Kermit The Frog, permeates "Harambe" with such a presence that it is impossible to ignore.
JUST HOW
We had to show a little love for So much pleasure, and the introductory track gives the most interesting impression of Thugger's lyrical prowess. On the one hand, there is a clear meaning behind what he proposes. No more traps of materialism so often seen in his discography. Instead, he speaks with the heart, a welcome burst of characterization for an otherwise enigmatic figure. "No time for gibberish, all the critics hear," Rap says, very conscious of its own magnitude. At the end of the second verse, Thugger became humanized, addressing his recent arrest and general influence with refreshing self-awareness.
RIDIN ft. LIL DURK
A success on Thug's contemporary street strip I'm up, Lil Durk helped "Ridin" deserve a place for a variety of reasons. On the one hand, the integration of his melodies again reveals an incomparable ear, but Thugger does not hesitate to wave his hand. Second, the effortless nature with which Thug moves from one stanza to another, moving at the rhythm of the rhythms. Taking for a strange gothic banger from Wheezy, Thug drops skillful bars with strong imagery. "Yes, you're all gone, but the dog has come home," he rapped, bouncing almost over time. "And the panties your daughter does not have, she's going to get what she wants, a tantrum."
JEAN WYCLEF
Although the narrative surrounding "Wyclef Jean" was grabbed by the infamous video for a brief spell, Jeffery 39 & #; s the opening track could very well present its most distorted performance so far. Damn near each cylinder is shot, as Thug seems to become one with the infectious reggae beat. As usual, the hooks glide brilliantly into Thugger's verses, and it continues to float with ease as most rappers would find it difficult to exude. At the moment he falls on the "Do not play with him, boys!" rhyming system, nothing can stop it. It's almost as if the snakes were playing with their food.
HALF-TIME
Barter 6 felt like a transition period for Thugger, still shaking some of his most notable influences in a state of metamorphosis. For many, the project ushered in a new era, in which the more experimental energy of Thug seemed to merge with its traditionalist side. Marriage has never been better than at "half-time", a hard-hitting banger lined with fixed bars, perfect ammunition for those who doubt his insight. "Every time I get dressed, it becomes viral," he rap, her contagious confidence in herself. "Pussy n *** s stonein 'swag, bring back my crap as recycle."
2 B & S S (DANNY GLOVER)
One of Thug's first cuts here, the "2 B's Magnetic" is a compelling chapter of hisBarter 6 catalog. Already standing out by its growing repertoire of "Slime Language", Thug's lack of sophistication is offset by sheer, unpredictable energy. Consider how he attacks the instrument, throwing threats and hypersexual boasts one after the other, a duality he had come to wear so far. It is likely that many of them were intrigued by "Danny Glover", and one has to wonder if this song helped pave the way for some of his more aggressive offerings.
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