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A lot of history was made when the Oscar nominations were announced Monday morning, but it just wouldn’t be the Oscars without a few gaps and omissions that scratch your head. Below, the Projectionist takes a look at the biggest surprises and most well-known snubs.
Who rules “Judas and the Black Messiah”?
When two men or two women colead an Oscar nominee, you can bet savvy strategists will position one as a leader and one as a supporting role with the goal of spreading the wealth and naming them both. This was the original plan for “Judas and the Black Messiah,” where Lakeith Stanfield was seen as the leader, mainly so he could escape Daniel Kaluuya, who racked up supporting actor wins all seasons. . But in a big surprise, Stanfield garnered more votes in the supporting actor category, so both men earned their nominations there. This begs the question, however: if Stanfield and Kaluuya are both supporting actors, then who exactly is this movie supposed to be?
Aaron Sorkin receives the “Argo” treatment.
Although “The Trial of the Chicago 7” was one of the most nominated Oscar contenders and Aaron Sorkin landed a nomination for his screenplay, he was left out of the best directors list entirely as the director of “Another Round” Thomas Vinterberg landed the most anticipated spot would go to Sorkin. Yet a lot of history has been made in this category: “Nomadland” director Chloe Zhao became the first Chinese woman and the first woman of color to be nominated for best director, and alongside the filmmaker of “Young. promising woman ”Emerald Fennell, this is the first time in Oscar history that two women have been nominated for Best Director at the same time.
Few black-led dramas make the best picture cut.
At the Screen Actors Guild, the majority of the group’s nominations for Best Ensemble award went to black-directed dramas. Ultimately, however, none of those three SAG nominees – “Da 5 Bloods,” “Ma Rainey’s Black Bottom” and “One Night in Miami” – made the best Oscar cut, and only the nominee. last minute “Judas and the Black Messiah” got a nomination. And while the actor races were filled with diverse nominees – six of the 20 acting slots went to black performers, a record – critics’ favorite Delroy Lindo of “Da 5 Bloods” has always landed outside the box. final five for best actor.
Momentum for Jodie Foster’s Golden Globe wanes.
When Jodie Foster was announced as the winner of the Golden Globe Supporting Actress for her role as a fierce lawyer in “The Mauritanian,” the actress seemed completely shocked, as she was from a much less publicized candidate than his nominated colleagues. The victory certainly made more Oscar voters watch her movie than they normally would, but in the end it wasn’t enough: Foster became the rare supporting actress contender whose Golden Globe victory couldn’t even her. earn an Oscar nomination.
Almodóvar turns out to be too big for the shorts.
One of the year’s most beloved contenders didn’t last more than half an hour: Pedro Almodóvar made his English debut with “The Human Voice”, a live short film starring Tilda Swinton. Most pundits assumed he was the favorite in his category, but the island shorts branch completely snubbed him, perhaps feeling that some big-name stars might overwhelm a category that is usually filled with young comers. .
“Boys State” loses the elections.
Few documentaries had the buzz of “Boys State,” Apple’s well-received film about teenagers navigating political campaigns over a long weekend. But the documentary branch is often bristling when it comes to top contenders: cutting edge films like “Won’t You Be My Neighbor?” “Apollo 11” and “Three Identical Strangers” have all been snubbed in recent years, and now “Boys State” can join their rejected ranks. (At least the movie itself provides several lessons on how to bounce back from a politically motivated defeat.)
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