& # 39; The Dead Don & # 39; t Die & # 39; Review



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Jim Jarmusch's zombie comedy, which opened the 2019 Cannes Film Festival, features a star-studded cast including Adam Driver, Bill Murray, Selena Gomez, ChloƩ Sevigny and Tilda Swinton.

The dead do not die, no more than the kind of zombie, with Jim Jarmusch's slender yet fun hip-hop that faces the familiar tropes of the format. A small town in the East becomes smaller and smaller as the undead rise to nibble on a tasty cast that has been methodically torn, feasted and pretty much decimated by the time Sturgill Simpson's awesome title plays for the last time. The long-lasting appeal of the never-used format should ensure decent participation early in the summer, although the primacy of the frightening attitude probably prevents it from attracting crowds in search of fear.

Ronnie Peterson (Adam Driver), the team cop, reports to his older son, Cliff Robertson (Bill Murray), when the weather is very nice, that his watch stops, that his power is on. stop and that other irregularities disrupt the slow pace of life in Centerville, population of 738 inhabitants. "It's not going to end well."

The man has the intuition of a good cop, but he does not know what he reserves. Deadpan is the name of the game here and largely describes both the style of play and the reaction of many city dwellers to the sudden influx of undead resurrected as they emerge from sleep, thanks to what else? – climate change.

The threat of the first night is thwarted so that Jarmusch can present a host of highland characters played by a very varied cast. Mindy Morrison (Chloe Sevigny), the city's third cop, does not want to find the chapter on zombies and Danny Glover's old man, Hank Thompson, is a rare black resident who has heard the racist racist Steve Farmer Miller Buscemi. a million times now. Zelda Winston (Tilda Swinton), an extremely bizarre and self-assured Scottish woman, brandishes a samurai sword as if it belonged to a Kurosawa movie.

There are also young citizens, including the geek owner of a comic book store and versatile weapons (a very good Caleb Landry Jones), a trio of cool clients (Selena Gomez, Austin Butler and Luka Sabbat) who cross the city and some young women detained in a detention center mainly to increase the number of potential victims for zombies, the number of which increases steadily every night.

Keeping track of everything from a hidden distance in the forest is an unsuitable hermit (Tom Waits), who does not even seem to attract the zombies' attention.

As always with Jarmusch, The dead do not die is especially marked by his attitude, a sense of disengagement too cool for the school, accompanied by comical inflections that can go from biting stalemate to incredibly direct. His characters are often not very bright, which largely applies to his moguls here, which largely have no idea how to react in a crisis. The former Murray policeman saw it all during his lifetime or, more likely, never had to deal with emergencies of great importance. In any case, he does not know how to cope with a tidal wave of undead, leaving everyone except the zen samurai Zelda, who seems to live on a planet alone, poorly equipped to cope with the voracious night army from below. ground. One wonders how and why she ended up in this country that time forgets, but the film is more alive and weird.

Of course, many zombies get their heads removed – the only way to stop them – but as their numbers increase each night, the chances of fighting small tricks increase dramatically. Some reports point to similar disasters observed elsewhere in the world – this could actually be the end of civilization as we know it – but Centerville, as a remaining television show town of the 1950s, is a world unto itself completely helpless about how to deal with anything.

This popular and friendly entertainment is violent and bloody enough to deserve a grade R, but aside from the courage to turn its gut and feast on viscera, most of the action consists of dozens of zombies decapitated into dust. .

Sometimes, the stalemate of Murray and Driver becomes, finally, a little deafening, and the true spirit is missing, even if the film is still fun most of the time. Typically for Jarmusch, the songs, directed by the title song and the score, are exceptional and animate almost all the scenes. And the diversity of cast members, as well as their sense of humor, attracts attention even when inspiration is sometimes lagging behind. It is a minor sweet, but very edible and bloody.

Venue: Festival de Cannes (opening night, competition)

Opening: June 14 (Focus Features in the United States)

Production: Kill the flock

Actors: Bill Murray, Adam Driver, Tilda Swinton, Chloe Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Selena Gomez, Austin Butler, Luka Sabbat, Rosie Perez, Eszter Balint, Iggy Pop, Sara Driver, RZA, Carol Kane, Larry Fessenden, Colon Rosal, Sturgill Simpson, Maya Delmont, Tallyah Whitaker, Jahi Winston, Tom Waits

Director: Jim Jarmusch

Writer: Jim Jarmusch

Producers: Joshua Astrachan, Carter Logan

Director of Photography: Frederick Elmes

Production Designer: Alex Digerlando

Costume Designer: Catherine George

Publisher: Alfonso Goncalves

Music: Squrl

Cast: Ellen Lewis

103 minutes, note R

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