& # 39; Veep & # 39; imitate life with a campaign plot



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"Veep" has provided a largely satirical look at politics throughout its six seasons, in a scholarly manner that has more than once inspired life to imitate the art. Yet, as the series debuts its latest series of episodes, the HBO series has incorporated what appears to be some rather obvious glamours of art-imitating-life.

After the writers have regretted that they find it hard to follow the absurdity of the current news cycle, they seem to have ironically adopted the strategy that if you can not beat them, join them.

In a conspiracy that could not be better planned with the publication of the written Mueller report, the fourth episode of Sunday on the campaign was presented by the future and former president, Selina Meyer (Julia Louis-Dreyfus, still as brilliant), engaging in negotiations behind the scenes The Chinese government, which is approaching its campaign through a surrogate mother but unconvincing, but flexible.

The Chinese help him to participate in an essential primary, which includes using dark tactics to remove the participation rate of African Americans in South Carolina.

Certainly, as is common in the world of "Veep", even a conspiracy with a foreign power is complicated by rampant incompetence, fueling Selina's frequent lament that good help is hard to come by.

A separate development depends on another presidential candidate, the maniac Jonah (Timothy Simons), becoming more and more excessive in his speeches, which actually benefits his tough campaign. This includes asking Selina to release her birth certificate, alleging that she is lying about her age, while her help Amy (Anna Chlumsky) seems to channel the fighting tactics of Trump's representative, Kellyanne Conway, during from a TV interview.

Of course, "Veep" continues to occupy its own place as the most blatantly brutal television show in terms of dialogue, after elevating the creative insult to a kind of crude poetry. The latest episode also contains the generally bitter commentary on modern politics, with a suggestion suggesting that America is "still a nation of laws", to which Ben (Kevin Dunn), Selina's cabinet director, added: "Ish ".

"Veep" has always offered a slightly exaggerated view of political opportunity, where the guiding philosophy has so much to do with avoiding embarrassment – and therefore living to fight another day – than to win.

The lion's share of attention directed to HBO, unsurprisingly, is devoted to the latest wave of "Game of Thrones," which draws about 10 times the audience that "Veep" offers, even as Emmy-winning comedy touches to an end. well. (Like CNN, HBO is a unit of WarnerMedia.)

In an interview with Vanity Fair, director Dave Mandel described "Veep" as a "no-frills zone", pointing out that the series was trying to get "bigger things", instead of chasing the humor found in this late-night monologue and "Saturday Night Live".

Nevertheless, the smallest image, in this case, has probably proved irresistible, and we must forgive viewers for seeing parallels between the last episode of "Veep" and the most absurd tics of the present moment. Ish.

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