The mediocre films of Netflix are hugely successful: "Bird Box", "Triple Frontier"



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The biggest Netflix movies are the poorest and Netflix can not help but boast about them.

The streaming giant said Tuesday in its report on the results of the first quarter of 2019 that two of his latest original films, "Triple Frontier" and "The Highway Men", were two of the big hits of this service this quarter.

Netflix said the film "Triple Frontier", starring Ben Affleck and debuting on March 13, was watched by 52 million member households in the first four weeks of its release. He projects "The Highwaymen", which appeared on March 29 and stars Kevin Costner and Woody Harrelson as lawyers after Bonnie and Clyde, to be watched by 40 million households the first month (Netflix sets the view as an account that has seen at least 70% of a movie).

READ MORE: Netflix indicates that 45 million homes watched "The Academy of Umbrellas" during the first month, and that it was renewed for Season 2

Both films have received disappointing reviews from critics. "Triple Frontier" has a critical score of 72% for rotten tomatoes and "The Highwaymen" at 55%.

These figures are in line with Netflix's massive hit "Bird Box". The thriller starring Sandra Bullock made its debut in December and was followed by 45 million accounts in the first week, despite a critical score below 63% for rotten tomatoes. Netflix even mentioned "Bird Box" in Tuesday's report.

"Our original film efforts were built on the momentum of our famous fourth-quarter bird box," Bird Box, "the report said.

Netflix did not mention the performance of well-commented movies such as Steven Soderbergh's "High Flying Bird", which landed on the streamer in January and displays a 93% score of rotten tomatoes. The film probably did not win a large audience.

Netflix's trend to brag about its original mediocre films began in 2017 when its fantasy action movie "Bright," starring Will Smith, drew 11 million viewers in three days, according to Nielsen, who said started measuring the audience of Netflix that year. The film has a critical score of 25% Rotten Tomatoes.

Although Netflix has never released official figures for the film, he has commissioned a sequel and CEO Reed Hastings has called critics "out of touch" after the film's release. Ted Sarandos, content manager at Netflix, said, "If people watch this movie and like it, it's the measure of success."

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