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Chad Stahelski leads the third installment of an increasingly elaborate hit-man saga featuring Keanu Reeves.
Allow a Texas public school graduate, where "Latin" meant the kind of music played by Ricky Ricardo's band, to do the Google search for you: in addition to being the proper name of the band. a firearm (two this not to do the program?), "parabellum" is a Latin term that means "to prepare for war". And as difficult as it may seem after two hours of violence – often exhilarating, sometimes semi-comical, sometimes simply exhausting – by Chad Stahelski John Wick: Chapter 3 – Parabellum can be faithful to its title, a simple preparation to the biggest conflicts of the series. A choreographed epic of chaos that broadens the Wickiverse in a generally enjoyable way, it is meant to satisfy the fans of this surprise hit franchise: if its ridiculous aspects bother you, what are you doing here?
The action begins almost exactly at the end of the last movie. Wick travels through downtown Manhattan with less than an hour of play. At 6 pm he will be excommunicated from the global killer community – he is no longer welcome in their chic hiding places, and, perhaps worse, subject to an "open contract" of $ 14 million. Every murderer in New York – and it seems like there is a couple on each block – will try to kill him.
The film does not wait until the clocks sound at six o'clock to pit our hero against his first executioner: a giant who approaches him in the shelves of a library for an exciting fight in close combat in which, yes, someone One says "shhh." (Do not worry, he pays for the bad joke.) A few scenes later, comes a second sequence that, in a less important movie, would be the only thing everyone was talking about when they left the theater: To be found quibbling For weapons in a cavernous antiques store, Wick must face a string of attackers and must constantly improvise: Smash Glass Cabinet; grab a knife; throw the knife with deadly accuracy; repeat. There is more than that in the room, but you see the idea. And then we are interested in what could be described as "horse fu".
Knowing that even though he can not fight an entire city, Wick is looking to get out of the city safely, thus causing the first widening of Wick's mythology. Suffice it to say that a very chilly character played by Anjelica Huston knows John under another name; he holds a talisman that he has won for making who-knows-what a terrible thing, and he has come to pay the favor he stands for. Huston recoils, but Wick is determined: "You are bound and I amhe snarls out, then sneaks him out of America – to Morocco, where he thinks he can cancel the death sentence.
These scathing New Yorkers who complain about the Wick The geographic cheats of movies (where, for example, a New York subway train could stop at a New Jersey PATH station) may remain happily ignorant of the sins of filmmakers in North Africa: the film promises us Take us to Casablanca to deliver Essaouira (much more picturesque), then pretend it's just a short drive into the middle of the Sahara. These are the pardonable sins of films that amaze us in exotic places. The only geographical problems that matter here are those that do not reflect the intelligence of a protagonist: what spooky assassin could hail a taxi in Times Square – at rush hour – in the hope of getting to the main public library? You can walk there before the taxi escapes the light of the video billboards.
In Morocco, we find clues about another forgotten chapter of the biography of the killer to rent: a huge favor is due to him (a "marker" in the language of the series, represented by a heavy medallion) by Sofia de Halle Berry , whose daughter he saved from undetermined danger a long time ago. Sofia, the least grateful mother that moviegoers have seen for some time, complains badly of this good deed, and Berry gives one of the least enjoyable performances in a trilogy where overactivity is barely discouraged. But Sofia has two German shepherds whose vicious thirst for the genitals of the wicked steals a scene or two.
Although his increasingly sprawling story may remind some viewers of another Keanu Reeves franchise whose consequences have drowned under the weight of their ambition, John Wick is no Matrix. If the Moroccan interlude undermines the film of much of the first-act run (which was, to be fair, untenable), things pick up speed once we return to New York.
While Wick was away, a mysterious "Adjudicator" (Asia Kate Dillon) appeared – a representative of the criminal cabal known as "High Table", sent to punish those who helped Wick break the rules in the last movie. Winston (Ian McShane), who runs the hotel's assassins called The Continental, and the self-proclaimed king of Bowery's bums (Laurence Fishburne) have seven days to tidy up their affairs before dismissing them of their roles. , presumably with deadly force.
Somewhere here, the referee stopped in a sushi bar on the sidewalk and hired the chef, who, like everyone else in this damn town, is a killer for hire. Zero (Mark Dacascos) leads a crew that simply calls Sushi Ninjas, a multicultural gang of two men-blades (Cecep Arif Rahman and Yayan Ruhian). Fans of the action movie will remember the group. Raid movies. The legendary John Wick is impressed by all these guys, but that does not stop them from trying to slice it. Although they meet their hero / target for the first time at Grand Central Station, their major showdown takes place in Winston's multi-level, all-glass "administrative offices", where they give Wick a shot that no one mortal should not be able to bear.
If the setting of Chapter 2The culmination of, a museum installation of the mirror room, was a kind of Instagram Instagram version The lady from Shanghai, this film offers the look of the series on Jacques Tati Break, a world of cold glass where transparent barriers create playful misunderstandings – when they do not prevent one guy from killing another. Much more beautiful than the finale of the last film, this sequence better exploits the personalities present in the play and, in its best moments, is as thrilling as the leaner fight scenes which gave the start to the film.
What happens after this very long fight does not quite leave the spectator in the state of suspense that he could have felt at the end of Chapter 2; In fact, there may be some stifled groans of disbelief in the crowd. But few of those who have endured the increasingly severe sanctions of chapters one to three risk to bail out before the next installment.
Production Company: Thunder Road Films
Distributor: Lionsgate
Actors: Keanu Reeves, Ian McShane, Lance Reddick, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Halle Berry, Said Taghmaoui, Jerome Flynn, Jason Mantzoukas, Tobias Segal, Boban Marjanovic, Anjelica Huston and Cecep Aah Rahman
Director: Chad Stahelski
Writer: Derek Kolstad, Shay Hatten, Chris Collins, Marc Abrams
Producers: Basil Iwanyk, Erica Lee
Executive Producers: Chad Stahelski, David Leitch, Joby Harold, Jeff Waxman
Director of Photography: Dan Lausten
Production Designer: Kevin Kavanaugh
Costume Designer: Luca Mosca
Publisher: Evan Schiff
Composers: Tyler Bates, Joel J. Richard
Casting Directors: Mary Vernieu, Marisol Roncali
R, 130 minutes
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