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The new medium-format mirror-less GFX100 is not cheap at $ 9999, but you'll get your money's worth and no less than three world premieres.
It was first presented as a prototype at Photokina 2018 and then turned heads. A year and a half later, the game is once again successful, which is even more impressive considering its high price.
This is the new flagship product in the company's lineup and sets the bar high. The world premieres may be a bit of marketing brilliance, being category-specific ("the world's first mirror-less digital camera with an image sensor of this size or larger offering the ability to 4K30P video recording (10-bit 4: 2: 2), "You get the picture) but nevertheless these are impressive achievements.
For information, the other two are a backlit sensor with phase detection pixels (the first of its kind for image sensors larger than full-size 35mm format) and five-axis image stabilization in the body offering up to 5.5 stops (a first for format larger than 35 mm).
But the title is that it offers a much higher resolution – a doubling compared to the GFX 50 – and much faster performance with a data rate of 1 GB / s compared to previous data in the range. Plus, of course, the 4K30p shooting is a significant and welcome advance on the previous 1080p range.
Of course, it is also close to twice the price of the GFX50S. But if you consider that this is launched against Hasselblad's medium format cameras and that its specifications are similar, this is almost a good deal.
Focusing on video, the X-Processor 4 engine actually records 4K30p video in 4: 2: 2 10-bit format, but it should be noted that this is an external source; the internal recording is limited to 10 bits 4: 2: 0. With the standard digital cinema format (17: 9) selected, the video recording with a sensor area measuring 43.8 mm (W) x 23.19 mm (H) and 49.56 mm diagonally, which Fujifilm is happy to point out, is bigger than many other end movie cameras in recent years. It uses oversampling with data equivalent to approx. 50.5 megapixels to make the video. It supports the H.265 / HEVC codec, as well as F-Log and HLG. It is also the first model of the GFX system to incorporate what Fujifilm has dubbed the ETERNA movie film simulation mode, which provides' optimal solutions that reflect the videographer's intentions and facilitate a variety of expressions creative. " We will have to wait for the critics to see the wheat exactly that means everything.
Autofocus, which uses the phase-detection AF algorithm developed for fourth-generation cameras, is also useful. 3.76 million phase detection pixels placed on the entire sensor provide focus acquisition in an impressive 0.05 seconds and can operate up to -2 EV. And it also offers continuous shooting capabilities with a frame rate of up to 5 frames per second and a buffer capacity of up to 41 JPEG (or 14 RAW files).
Ergonomic, built-in vertical grip reduces form and allows users to keep control of the body by 1,400 g (batteries included). And while he may have abandoned the dedicated ISO and shutter speed dialers, which were so popular with his recent models, he digitally replicated them to a new screen.
Availability is scheduled for late June.
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