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Anyone who has paid attention to pop music this decade, even a tiny bit, has probably lost a small piece of their brain, which has been replaced forever by Miley Cyrus Discourse. The moments are always there, probably forever: Twerk. Foam fingers. Cannabis. Molly Chariot. Nicki: "Miley, what's good?" Happy Hippies. Dead Petz. Liam Hemsworth. Robin Thicke. The time she said Display panel she was done with hip-hop because it was "too Lamborghini, had my Rolex, a girl on my dick"; then returned to this position after realizing that it seemed to insult a little insulting to the genre in which she had thrown herself; then released some soft-rock singles so contrite that it's a marvel that she did not go to Mandy Moore and did not offer a refund to former buyers; then it is declared "on" even before the release of the album.
Why so inconstant? Sales, in part (it's easy to be on top of an album when the singles are underperforming) but also an underlying hustle, especially with all that is not controversial. In retrospect, the quote of money in this Display panel The story was close to the beginning: "People are watching me anyway, but they often look at me when I'm dressed in fucking cat."
Sure She comes, Miley Cyrus is not literally dressed in fucking cat, but figuratively, she could just as well be. Nary, a minute passes where she does not remind us that she is mean, nasty, impious, obscene, a witch, a monster. She comes is the first of three EPs that with the next She's there and She is everything, will eventually become a complete album. EP trilogies of this type are becoming more and more common: they provide fans (and streaming services) with a constant stream of new content and the labels to test live A / B music styles: redefining yourself live without committing yourself. Miss Mike WiLL's Time Made-It? He is back with more guest rappers. Relieved when Miley abandoned rap for chaste country songs? Mark Ronson succeeded "Nothing breaks a heart" last year with another. Fan of RuPaul's Drag Race? Ru is on "Cattitude". The stylistic boost is a bit like Charli XCX Pop 2, except for experiments but for the many ways that Miley Cyrus is back on her bullshit.
We heard Miley Cyrus and Her Dead Petz; it's Miley Cyrus and his dead horse. "Unholy" is a book-report summary of "We can not stop"; "Mother's Daughter" is like Katy Perry's "Swish Swish" and "Dark Horse", cooked with a pinch of corn from the heart of the country. "Cattitude" is a RuPaul song that Cyrus crushes in a pussy hat. she can say herself mean more than a dozen times, but she leaves the real wickedness to RuPaul. Then, in the middle of the album, you will see the "D.R.E.A.M." of Ghostface Killah. If you already know the original Wu-Tang clan very well, you know what's coming. (In fact, you can probably think of about three things that the D could represent, each worse than the last one.)
But after an excessively languid time – the "CREAM" and Ghostface samples do not come in late, as if they were consciously moving away from the song – and a really puzzling first verse ("You're in my bed without it to be invited / well because I'm in the mood / hope it does not bother you if I hit him ") the only surprise is how anti-climatic It sounds when Cyrus sings the inevitable: "Drugs are around me." Cyrus has one of the strongest and most pops, but here and elsewhere, she rushes and swallows her lines, as if she were shameful.
For a six-title EP, She comes is remarkably repetitive, but it handles a few OK points. "Mother's Daughter", produced by Andrew Wyatt (Miike Snow), has a pretty decent pace and the bridge is well hung, although only one hijacked from Frank Ocean's film "Good Swim & # 39; 39 ;. Swae Lee and Mike WiLL manage a late summer languor on "Party Up the Street", especially the sumptuous "Downhill Lullaby" strings at the end. And although Cyrus does not really make the big-party "The Most", she does quite well in the country-ish "The Climb" arrangement. But there is the thing, the elephant in the room: the Cyrus family had its greatest brew of goodwill in the decades after Billy Ray Cyrus joined the remix of "Old Town Road", which is # 1 for nine weeks now. Not only is a 57-year-old man more likely to be linked to rap, country and virality, but he also stands out. IT ARRIVES, proclaims the title; The problem is that people are already there.
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