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What does it mean for someone to be woken up in 2019? Does this mean screaming your trauma and pain out of the street or at the front view of your iPhone's camera as a way to become a freedom fighter and a warrior of change and change? ;being seen? Ms. X, also known as Madonna, is in the same world as us and, to your astonishment, she thinks deeply about all the things you think about.
Many people have always been pushed to the idea that Madonna has a deeper thought about spirituality, existentialism or cultural commentary because of her privilege in society (being one of the icons the world's highest living pop and all the rest). but in his most powerful work to date, Madam X, she knows it and she manages this conflicting anger by agreeing to recognize that she can only be oneself, and to be herself, is to "dance". "Medellin", assisted by Maluma, opens the recording through a sequence of dreams of a world where Madonna dissociates herself from the reality of her glory and sank into a world where she is perceived as a soul for her, in a ballroom with a very hot Latino singer. We learn that Madam X is not nihilistic. "For once, I did not have to hide …"
It is also a heartbreaking reminder that Madonna had to fight to show her pain to the world in a way that will always be seen as an opportunist, a company or a manipulator. All she does is insufficient – which seems to make her puzzled, because all she wants is for people to listen and help others. And that's why she has drawn so much deliberate publicity around the use of shock in her career, to raise awareness of everything from AIDS to LGBTQ rights, to the tools of magical beliefs of Kabbalah.
Even though Madonna's activism was not misunderstood as part of her legacy, it was erased and forgotten to replace cliches like her age, which she decided to put on her body and malicious legends on Instagram. Madonna grew up through her art and at a time when she is supposed to take a nap, she is still struggling to create the art that she wants to see in the world. Why is it not celebrated? The conversation about Madonna's age and identity is so boring.
We will never be able to understand or know the unique position of the power of the goddess that Madonna has in the world, in which she is almost an abstract thing or a divinity – but we know that there is a human who invokes this power, and this man is a person to whom we can all connect. This human is fighting to be heard Ms. X.
"Dark Ballet" is powerful to present his understanding of parody and power, in a place of desperation where our world can sometimes seem to be as if we live in a dystopian bizzaro pop novel. In 4 minutes of Electronica terror, she becomes a clowne: "Can not you hear outside of your Supreme Hoodie? / They think we are not aware of their crimes …" That suggests to the listener that there is another higher spiritual consciousness. available at our disposal and we could access it but few are open. Madame X laughs: "Your world is suffering so much. Your world is in flames! "
On "Control of God", Lady X takes the power of pop and parody to a stranger level, in which the song begins as a spiritual revelation, then turns into a disco-histrionic party chanting "a new democracy, a god and pornography ". This is the longest song on the record, and for a good reason: the song's "shift" seems to reflect the euphoric way of responding to the world around us, awash with optimism and "positive vibrations" for a second Then fucking whores next.
Ms. X calls Quavo on "Future", a Diplo raiser on the theme "How Not Everybody Looks to the Future". This involves the fact that the notion of the future remains different for every human being and that we may not all be able to agree on a single version of reality. "Killers who party", whose title is provocative, is a mirror of our impotence. The role of the rebel and devil advocate is always close to her heart in a world where she sees the identity of everyone being persecuted and destroyed by daily violence and injustice: "I will be gay if homosexuals are burned / i be islam, if islam is hated. "
Even Ms. X is not immune to an unrequited love. In "Crave", she confesses to her young lover played by Swae Lee: "The feelings never falter, I do not think we should play with that." There always seems to be a loneliness in the way Madonna sings about of love, as if she attached to anyone, she chooses to be vulnerable.
The most powerful moment of the album, "Extreme Occident", sounds like being locked in the elevator of a luxury hotel with Madame X, thanks to her collaboration with Madonna's long-time creative partner, Mirwais (whom we can thank for the cult classic "Impressive Instant"). "What hurt me the most was that I was not lost." MX has said everything. Is finding a safe place in the world, is it a cause of mourning? This is enlightenment, and Madame X is no longer afraid of feeling free.
"Bitch I'm Loca" is the chaotic conception of Madonna's long love for world music and another dimension, Electronica. She embodies the soundtrack of the story of this album and Madame X by grace and power.
"I do not seek, I find" brings us back to the Madonna that everyone seems to try to reach with nostalgia, the queen disco of our childhood, but reminds us all that "we live between life and death". goodbye forever, Mrs X reminds us that we can kill her, but she will still come back to "I Rise", saying "I've died a thousand times, I've managed to survive", a song dedicated to artists and the ostracized, marginalized Madonna is a human but, like everyone else, she is a soul and a spirit first. At a time when we are obsessed with binaries and their destruction, it's a bit of a massacre. that no one can listen to the art they create, which could be the most chaotic and advanced version of the strange pop that our world has found.
Identity, and the social construction of ourselves, are things that most humans with a smartphone deal with. Whether it is subconscious or conscious, it is always at stake because of the tendency of social media to make us present our avatar versions of ourselves. The feeling of having to hide and the freedom of anxiety that Madonna found through Madame X, the freedom to be vulnerable in this world, is something much more difficult to achieve than in the past because of the commercialized version of ourselves that we present. The highs and lows of celebrity are not exclusive to the famous because anyone who already has an Instagram account deals with public and private anxiety, and the possibility of being "burned" on the pyre "with the flames of" receipts "being revealed, at the risk of losing everything.
Perhaps we should question ourselves as a culture of being better, in the way we treated it with misogyny, lack of openness and understanding, and by creating the trials that made it so symbolic of the pain that many women and women artists experience every day.
We can all try to invalidate Madonna's pain, but she has a one-up on us because she already knows what's going to happen, and now she does not seem to care about it and in the Today 's society, we are all madam X: we have a quest, lost, in search of ourselves and our identity, trying to reach an idea or an aesthetic of perfectionism to show what's going on inside us and trying to tell our story, whether it's built or real. Maybe nobody cares. And at that, it's time. We have to go dancing.
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