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The's monster in HE is not really Pennywise. It's evil in the world, especially the corruption that manifests itself in the city of Derry, Maine, through the subtle boost of a naughty clown.
This seems to be the message of Stephen King's bestseller, as well as subsequent films. After Chapter Two Computer Science came out this month, however, some people were eager not to blame the evil among us, but to blame Donald Trump.
According to the director of Chapter Two Computer SciencePennywise could be a substitute, not for a deeper philosophical point about the misrepresentation, but for the president.
"It does exactly what the clown does, you know?" Andy Muschietti told AFP. "The clown is trying to divide the [kids] all the time, to return them [each other] and make them weaker. That's how he wins, he tries to defeat them and destroy them.
Muschietti is not the only one to blame Derry's troubles on Trump's America. In a not-the-onion article for Outside, an author Complains that Pennywise is no longer a strange ally (who knew it already?) and places his change, strangely, on the commander-in-chief: "So, Pennywise is not just the physical manifestation of what turns out to be the A cosmic entity that feeds on fear and human flesh, it is homophobic. Trump's America Strikes Again!
King himself compared his horror stories to Trump. Recently, during a book tour for his next L & # 39; s Institute, King m said"As I was rewriting this book all of a sudden, I realized that we were locking up little children in cages on the border and I was saying, it's like my book." The author was a frequent and vocal criticism of the president, and he even said that Trump's presidency was more scary than one of his novels.
But what happened to the evil? Stories such as HE could have something to tell us if we can avoid minimizing their message – like, unfortunately, the second adaptation of the film makes its source.
IT: Chapter Two begins curiously with the murder of a young homosexual man at a local fair. The hate crime is based on the actual murder of Charlie Howard in 1984. When King wrote the murder in his novel, he based it on the traumatic event in his hometown of Bangor, in Maine, on which Derry is based. But in the film, the event has fewer pathos; it comes as a vulgar thing to start the movement.
AT SlateJeffrey Bloomer, editor, writes that the film "exploits a horrible murder in real life for an inexpensive shock, without context or specific thematic basis." He concludes: the screen, and the results are grim. "
Despite the complaints of insensitivity, Muschietti says that he had to include the scene because, well, Trump. The worst moment was essential, he explained, for "a film that is linked to our time". He added, "We live in a culture of fear, leaders who try to divide people, control us, conquer us and turn us against each other. "
This does not improve the cinema, but Muschietti repeats something worn by time. It is easy to explain all your problems if you do not give them the poor artistic talent, but the fault of everyone: Trump.
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