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King Crimson's leader, Robert Fripp, said he was trapped in a "Catch-22" -type conflict with David Bowie's estate about recognizing his contribution to Bowie's. Hero and Scary monsters (and super creeps) albums.
Fripp said that he was looking for a solution to a "historic injustice" in which the rules enacted by the British company Phonographic Performance Limited mean that he can not be named as a featured actor of the records, despite what he says. He considers it tangible proof. What he was.
"The dispute concerns the refusal of PPL and David Bowie's estate to acknowledge RF's contribution to the Hero and Scary monsters albums is that of a star player, "writes Fripp on Facebook. "This accreditation as a star player is supported by Brian Eno, Tony Visconti, David Bowie himself (although the terminology is not yet used) and the Court of Public Opinion over four decades."
He stated that "Essentially, DB Estate claims that PPL's rules do not recognize the status of RF's featured performer, and that, as DB Estate does not accept RF as the described performer So, RF is not a presented player – and their rules – confirm it. Catch-22? "
"The historical injustice," explained Fripp, "comes from the fact that organizations abide by rules that do not deal with all eventualities. He suggested that a more appropriate approach would be the "principle of gradual rapprochement: the rules are adapted to serve what is right and true in our society". But, he added, "it depends on intelligence and goodwill, as well as the desire to create a fair and equitable society / enterprise / community. "
Fripp stated that his previous experience suggested that PPL would always be alongside the largest organization in any dispute, which in this case was the Virgin record label, rather than its own DGM company. "Dear innocent and reasonable reader: Please note that we are dealing here with the music industry," he said. "Fifty-two years of direct and direct experience suggest to me that the majority of players who operate the system system to serve their own interests."
His Facebook page also included links to articles about his work with Bowie, with an underlined quote: "Between Bowie, Visconti, Eno and Fripp, everything was done by committee, each person making suggestions that could contribute to the final product. "
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