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A year before the arrival of his new standalone single, Rodrigo released Disney + ‘s “All I Want” High School Musical: The Musical: The Series, in which she starred. The song rocked the US-based Billboard Hot 100 for two weeks, hitting No.90 in January 2020; comparatively, and as on the world charts, “Drivers License” topped the Hot 100 in its first two frames.
Now, with the momentum of “Driving License”, “All I Want” is experiencing a resurgence, the most obvious in the world rankings. “All I Want” climbs to 119th place in its second week on the Global 200 and debuts on the Global Excl. US chart at No.148. In the week ending Jan. 21, it increased 7% to 13.3 million flows globally and 27% to 8.3 million outside the US.
The “driver’s license” also rose in global flows in its second week: up 7% overall and 47% outside the US
Particularly noteworthy is the fact that Rodrigo’s two tracks won in global feeds during the second week of availability for “Drivers License” is particularly noteworthy. Typically, songs with launches as lofty as “Driving License” decline in stream in their second weeks, after the hard-to-match immediate excitement of their first frames.
In the United States, for example, the “driver’s license” has gone from 76.1 million in the first week (ending January 14) to 59.7 million (January 21). Likewise, “Anything I Want” fell from 6 million to 5.1 million nationally. (Still, “Driver’s License” sparks “Anything I Want” in the US: Prior to these two weeks, “Anything I Want” drew 1.4 million in the week ending Jan. 7.)
How to explain the disparity between the “driver’s license” and the “whatever I want” in the American streams during the second week of the latter’s release, but spread beyond the United States? It is likely that as a US-based artist backed by a US-centric Disney experience, Rodrigo’s profile allows for more regular discovery on a global scale as the rest of the world catches up with him. buzziest music export in the United States.
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