The best movies and TV shows coming to Amazon, HBO Max, Hulu and more in April



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‘Kill all the bullies’

Starts the broadcast: April 7

Filmmaker Raoul Peck, perhaps best known for his 2016 Oscar-nominated documentary “Je ne suis pas ton nègre”, tackles his most ambitious project to date with the four-part film essay “Exterminate All”. the Brutes ”, based in part on Sven Lindqvist’s book of the same name on European domination over Africa and in part on the academic work of historian and indigenous rights activist Roxanne Dunbar-Ortiz and anthropologist Haitian Michel-Rolph Trouillot. Drawing on a mix of snippets from old films and new dramatizations of historical incidents – all covered in the director’s discursive storytelling – Peck considers how pop culture and the literary canon have shaped narratives around Indigenous peoples. and their colonial invaders. Both informative and provocative, this project aims to change the way viewers think about who the heroes and villains of the story are.

‘Les Nevers’

Starts the broadcast: April 11

There is a bit of steampunk and a lot of X-Men type energy in “The Nevers,” a semi-comedy action-adventure series created by Joss Whedon, the man behind “Buffy the Vampire Slayer” and ” Firefly ”. Whedon’s contributions have been played down by HBO’s promotion services, in part because he left production in the middle of his first season – and possibly because of recent accusations of mental abuse by his former employees. Nonetheless, “The Nevers,” which takes place in Victorian Britain, looks a lot like one of his shows, with its characters alternately anguished and witty. Laura Donnelly plays Amalia True, a superhero who leads a team of weird and powerful women whom London aristocrats call “touched.” As the ladies grapple with supernatural phenomena, they also come up against an establishment that wants to keep them marginalized, because of what they can do and because of who they are.

‘Easttown Pond’

Starts the broadcast: April 18

Kate Winslet plays a stubborn small-town Pennsylvania police detective with a messy family life in “Mare of Easttown,” a crime drama created by Brad Ingelsby, screenwriter of the “Out of the Furnace” and “The Way Back” films. “. As with the Ingelsby films, this miniseries uses a luscious premise – a murder mystery – as the entry point for a complex and gripping study of a place that is both familiar and unique. Director Craig Zobel and a top cast (including Jean Smart as the heroine’s opinionated mother and Julianne Nicholson as former high school basketball teammate) capture the limits and comforts of a community where everyone knows each other’s painful secrets. The gray tones and procedural plot resemble that of a grim European crime show, but the performances and dialogue show a lot of vitality.

Also arriving:

April 1st

“Designed for love”

April 13

“Our cities”

Apr 15

“Infinity Train” Season 4

16 apr.

“Mortal combat”

“ WeWork: Or the Making and Breaking of a $ 47 Billion Unicorn ”

Starts the broadcast: Apr 2

Like many stories about cutting edge business ideas, the saga of real estate sharing company WeWork ultimately comes down to the disconnect between the public ideals of its bosses and the horrific practical realities of making money. . Directed by Jed Rothstein, “WeWork: Or The Making and Breaking of a $ 47 Billion Unicorn” features a plethora of insider interviews and behind-the-scenes footage, all describing a startup that started out by bragging about a smart solution to the modern urban overpriced office space problem, but then attempted to evolve into an unwieldy lifestyle brand. Rothstein’s film focuses primarily on charismatic co-founder Adam Neumann and how Neumann and his fellow executives were spending like billionaires while distorting – even to their loyal employees – what was really going on.

“Sasquatch”

Starts the broadcast: April 20

Journalist David Holthouse has spent much of his career investigating strange American subcultures, spending time with people whose lives have revolved around drugs, violence or the arcane. In the three-part documentary series ‘Sasquatch’, Holthouse heads to the so-called Emerald Triangle of Northern California – one of the world’s most legendary cannabis growing regions – to look at a legend that ‘he heard decades ago, of a trio of farmers who were dismembered by the infamous cryptid known as Bigfoot. Director Joshua Rofé follows Holthouse into the wild as he interviews locals who are passionate about both marijuana and the paranormal. The stories they uncover are partly about strange phenomena and partly about the very real dangers of a community teeming with crime.

Also arriving:

Apr 3

“Hysterical”

April 8

“Glaad Media Awards”

April 9

“The standard”

April 12

“Spontaneous”

Apr 15

“Younger” Season 7

16 apr.

“Fly like a girl”

“Songbird”

April 21th

“Cruel summer”

April 22

“Greta Thunberg: a year to change the world”

April 25

“Wild mountain thyme”

April 28

“The Handmaid’s Tale” Season 4

‘Their’

Starts the broadcast: April 9

The first season of the new horror anthology series “Them” has the subtitle “Covenant”, referring to the rules for residents of a middle-class suburban subdivision in the early 1950s. Deborah Ayorinde and Ashley Thomas play a married couple with two young girls, who move from North Carolina to an all-white neighborhood of Los Angeles in search of their piece of the American Dream. They encounter open hostility from their new neighbors (including the cruel leader of the local housewives, played by Alison Pill), while also being haunted by strange supernatural forces. Created by Little Marvin and produced by Lena Waithe, “Them” uses the bewildering facts of racial discrimination to destabilize audiences, even before the arrival of non-human monsters.

Also arriving:

Apr 2

“Moment of truth”

16 apr.

“Frank of Ireland”

April 30

“Without remorse”

“ The Mosquito Coast ”

Starts the broadcast: April 30

Justin Theroux is both producer and star of the miniseries “The Mosquito Coast”, an adaptation of an acclaimed 1981 novel by his uncle Paul Theroux. Show co-writers Neil Cross and Tom Bissell, along with director Rupert Wyatt, updated the story in the 21st century, but it’s still about the idealistic and eccentric inventor Allie Fox, who hates the modern technology as much as it hates American materialism. Chasing his dreams – and avoiding federal authorities – Allie packs his family on a rickety boat and brings them down to Latin America, where he plans to make a living off the land. The televised version sometimes deviates considerably from the book, but its heart is the same: a rich portrayal of a brilliant madman, and the people he has drawn into his delusions.

Also arriving:

Apr 2

“Doug Unplugs”

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