Walking Dead EP Angela Kang on Season Finale Debut, Andrew Lincoln Returns – Deadline

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SPOILER ALERT: This post contains tonight’s details The walking dead Premiere of the 11th and final season… and maybe more.

“I said break up,” Seth Gilliam’s Gabriel exclaims as exhausted and nutrition-deprived residents of Alexandra’s shattered brawl for food in tonight’s debut of the 11th and final season of The walking dead. “There is enough food for everyone, ”adds the priest and the head of the council, but the hard truth is that there is not.

Even after Lauren Cohan’s Maggie, Norman Reedus ‘Daryl, Melissa McBride’s Carol, and the Survivors’ crew battled to carry much-needed supplies to a base full of dozens of suddenly awakened zombified servicemen, things got even darker. in the opener “Acheron: Part I” written by Jim Barnes and showrunner Angela Kang

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Ending with a grim cliffhanger for Maggie in the tunnels beneath Washington DC and heading for a final run that will run through 2022 and beyond, the zombie apocalypse series based on Robert Kirkman’s comics has literally begun. with a bang on Sunday. Against this backdrop and with the continuing deadly tension between Maggie and the character Jeffrey Dean Morgan portrayed who killed her husband and friends at the start of Season 7, Kang told me about the beginning of the end that began on Sunday.

After delays and production during a pandemic on the mothership which results in a number of fallout, the EP also discussed how TWD it could all end – and whether Andrew Lincoln’s Rick Grimes returns or not.

DEADLINE: So with a cliffhanger and the entire first episode of the two part opening of your mega final season has aired on cable and the second episode is on Steam, coming to TV next week. The table is set now, but what is on the menu in these latest episodes?

KANG: I think for our survivors they’ve been through a lot over time, and after what happened with the Whisperers, they just found out that by mingling with a community that really didn’t believe in this civilization. as we knew it. should exist, they did everything in their power to make this a reality for our people

DEADLINE: No one would say that …

KANG: Exactly! So that kind of reduced them to a really basic state of dealing with food, shelter, and security issues, things that I think they took for granted for a while. Not that they didn’t have waves where it was difficult, but it’s really like the one thing they thought they could rely on, which was like home security, is so much harder because everything the world is sort of merged.

So that only adds a level of tension and danger to society that they usually don’t face, and it’s really exacerbated by the fact that everyone has retreated into this one community, while ‘there were once several who were scattered.

DEADLINE: The 24 episodes of the final season are split into three chucks, so to speak. Are we going to see two-part resets for each series of final episodes?

KANG: Not necessarily.

Although there are definitely some episodes that feel more connected to each other than the others.

In this case, Jim Barnes and I, who wrote that first block, decided to write an episode, but basically ended up with two episodes of material. So we wanted to stream it as a longer episode. But as you know, the order of release is determined in advance by AMC. So they’re like, yeah, you’re going to have to break it. So that’s how we ended up with a two-party in this case, but you know, we don’t always do that.

DEADLINE: One thing you always do in Walking Deadland is play your cards close to your chest. So in what may be a futile effort I have to ask, with this final season drawing so heavily on Commonwealth history in the Kirkman and Rick Grimes comics being an important part, shall we see Andrew? Lincoln come back? I mean, that would make a great launch for the TWD movies he was set to star in, right?

KANG: (LAUGHS) Yeah. I’ve had this question many times, and it’s a question I can’t get into, so, yeah, I’m going to have to dodge it respectfully.

DEADLINE: you know your respectful escape will make you, like Thomas More in A man for all seasons, that in the escape, people will see assent.

KANG: I think, you know, that really doesn’t mean one thing or the other, but there are other things going on in the franchise. There is an implication of the universe. So there are a lot of things that are not really under my umbrella.

DEADLINE: You gave me the answer I expected, but didn’t want. Now I want to get a feel for what we’re going to see other important characters and actors from the past appear in these final seasons, in these final episodes?

KANG: Dominic, I think that’s another question that I won’t go into because I think it gets a bit too spoiler if I answer, anyway, and that’s really not the meaning of an answer. , but I think that’s just a bit too spoiler.

DEADLINE: Then, changing your focus, how well are things planned until the end right now? Are the final scripts of the last episodes available?

KANG: Not all scripts are in it.

Out of 24 episodes, there’s still a long way to go because unlike a lot of the shows on the network that have so many episodes, it’s me and like seven people – so we have to shoot on every block.

But we have everything planned, in a global sense, until the end. We, of course, had to present everything to AMC because they want to sign the end of their franchise and in particular this mothership. Then inside of that are the individual episodes. We always go through a process where things like rhythms and details change. But we have a very clear idea of ​​what we’re doing until the end. We are quite advanced in our writing process.

DEADLINE: In your process to the end, is that a pretty clear transfer to the Norman and Melissa spinoff series?

KANG: Without going into spoilers or details, there is definitely a transfer. But you know, it’s also like this show has to end regardless of anything that might come of it.

So hopefully there will be something that feels like an ending to this story, regardless of a spinoff. But obviously the spin-off, which I’m working on, is very important to us. So we try to balance all these needs.

DEADLINE: As far as you’re in the writing, are you happy with the way the ending plays out – because the show’s finals can be such a killer, like The Sopranos ending that was so widely despised back then and now everyone says it was genius.

KANG: I will say that we have definitely set the end point of the final and have had a good reaction internally.

But really, I think the Finals are, as you say, notoriously hard to pull off, you know, because you’re kind of trying to put the weight on an entire series. So with all that weight, it’s in one episode, and I think it’s really, really hard. For us, our approach was sort of like talking about what we think were the themes, where it started, and what line the comic is trying to take.

DEADLINE: Did the process see the end of the game change, as you filmed during the pandemic?

KANG: Between when we launched it and now, there are, I think, things that are changing for the better. You know, we’ve got a little bit more time to get through all the details of this story and try to figure it out.

DEADLINE: To quote Yoda, maybe there is no trial …

KANG: Yoda, really?

Hopefully we make it, but you know for what it’s worth I’m one of those who really liked it The Sopranos‘ending at the time of its broadcast. I think opinions change sometimes. Six Feet Under is one of those rare finals that really, really nailed it, but I think that’s because they nailed the topic of this show at the end of the day. So, I hope our approach in this way has worked, but you know, like I said, we’ll just have to get it out there and see if the fans think we’ve done it right.

DEADLINE: One of the things that I think a lot of fans think you’ve gotten over the years since you’ve been into showrunning is TWD the past three years is the sheer horror of it all. There was a lot of classic horror in Acheron: Part I, especially in those DC tunnels. Is this a holistic approach that we’re going to see a lot in the final season?

KANG: Thanks, we really love doing some of that classic horror sometimes on the show. So, there will be moments that will definitely look like classic horror in the final season.

DEADLINE: How does filming during the pandemic affect this?

KANG: I think part of what’s happened with the pandemic is that it’s harder to do direct actions because it’s just that it requires a lot of bodies in close contact. There are a lot of security considerations besides Covid. So the show sometimes did tons and tons of big, really stunt action, and then there were times we did more of the slow, creepy tension.
We filmed this in January, and to be honest you know even the number of zombies and stuff that we did was really tough, and we had a lot of questions about how we could handle that.

DEADLINE: So on the actual zombies, because “Acheron: Part II is now live on AMC +, let me throw it in there – zombies on the DC subway?”

KANG: Zombies in the subway. Yes. It was fun for us.

DEADLINE: I just think that’s quite a low-fi spin-off in and of itself.

KANG: (LAUGHS) I know. We had fun with that. We’re always trying to find environments that we’ve never created before, so it’s an environment that we thought was neat, fun to do. It was also a lot of work.

DEADLINE: I bet. I have one more question for you.

KANG: OK.

DEADLINE: Shall we see zombies at the White House on TWD?

KANG: Zombies in the White House? I can’t rule anything out, but we haven’t planned anything. This one seems tricky in some ways, but man I bet there are some really good zombies in the White House. Maybe you gave me an idea.



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