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Peter Lindbergh, fashion photographer and director who died yesterday, was the master of the moment not kept. This should not be confused with candid; there was always a magnificent sense of composition in his pictures, and also a lot of openness. Her pictures were breathing – not just because a lot of them had been taken outside.
Lindbergh was known for highlighting the beauty and joy of women. You could add curiosity to this list; trip or trip on the road was one of the reasons for his work at Vogue, where he started contributing in 1984. Another trope was to take a cinematic look at his subject, capturing it from a distance or through a window. These actions reinforced the meaning of storytelling in an editorial. When he used sets, as in a 2013 Sandra Bullock story, he let see the machines, canvas and media. Even while documenting the most romantic couture pieces, flourishes have never been part of Lindbergh's vocabulary. It was a natural.
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