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Disney
Aladdin star Naomi Scott and Mena Massou
Aladdin still has the magic according to moviegoers who have massed for the first weekend of Disney's live-action remake.
Guy Ritchie's 1992 film reported more than $ 86 million in its first three days in North America.
The film, released during the four-day Memorial Day weekend in the United States, is expected to yield $ 105 million (83 million pounds sterling), given Monday's ticket sales.
This would go well beyond previous estimates of about $ 80 million (£ 63 million).
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The new version features Will Smith as the Blue Genie – formerly played by the late Robin Williams – and Egyptian-born Canadian actor Mena Massoud as the astute charmer who claims to be a prince to attract Jasmine's attention, described by Naomi Scott.
Last year, Disney was moved by a disappointing opening for Solo: A Star Wars Story, but with the help of Genie, the company announced it had surpassed the opening weekend sales in the UK. United for biopic Elton John, Rocketman and The Secret Life of Pets 2.
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Reuters
Naomi Scott, Mena Massoud, Guy Ritchie, Alan Menken, Will Smith and Navid Negahban attend the Aladdin World Premiere in Los Angeles
Speaking on the red carpet at the world premiere in Los Angeles last week, Smith explained to Variety what were the key challenges to make this new release a success.
"Being able to find a way to not make it shocking and disturbing because of its difference," he said.
"Make people feel at home while getting something new and special."
& # 39; Better than expected & # 39;
It seems that Aladdin has exceeded the expectations of most critics after many mixed reviews.
The Guardian awarded him two out of five stars, claiming that Aladdin "can not put the genie back into his bottle" and that he "fails to capture the magic".
The Independent, however, awarded four stars, describing the show as "a raging show that looks like a morning and is much better than expected."
"What could have been a cynical exercise to repackage an old hit turns out to be an invigorating drive with vivid performances, flamboyant music numbers and intelligent special effects," he adds.
The Telegraph has bridged the gap by choosing three stars: "If you thought Guy Ritchie would bring a lot of work to Disney's fairytale world, you'd be fooled.
"His Aladdin, the latest in a series of remakes (we've just seen Dumbo and Beauty and the Beast, followed by The Lion King in the summer), is a fantasy musical with a big heart with a gorgeous palette of colors and a strict moral code that tries very hard – but does not quite succeed – to improve the original of the 1992 studio "
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