6 men and 4 women in conflict

The plague in the foreground. The electoral campaign in the background. The government refuses. Prematurely aged. Meanwhile, internally, the opponent – who failed barely a year and a half ago – is trying to recover.

For graphic purposes, you are witnessing the struggle of two pentagons. Two quintets with two big matches behind. Two distorted cultures. The Justicialismo, behind the Front de Tous. The doctor, Alberto, Axel, Sergio, Máximo. Radicalism, behind Together for Change. Mauricio, Horacio, María Eugenia, Patricia, Carrió.

The fragmented two-party system continues. But the classic radicals, like the territorial Peronists, find it difficult to return to the presidential regime. Then adjust the loads. Ambrosia of contracts. Dip croissants, sacraments.

A.- Virus persecution

The Frente de Todos – according to Kevin Richards – is reduced to the conspiracy of Unidad Ciudadana, the penultimate invention of La Doctora, with Sergio’s Renewing Front (which has ceased to be a Front). The Justicialista Party is part of the whole. Simple accompaniment.

The political articulation of the coalition depends on the understanding of Máximo, leader of La Cámpora, with Sergio, who represents the concept of law. Faced with the mistrust of those who think that Kirchnerism must be revolutionary, Sergio proposes the gestation of the investment climate. “Plant the vulgar foundations of a tolerable capitalism.”

Alberto, sporadically, is also useful for the physiological need to come to terms with the center. They also present, as a whole, the risk of disintegration. The ideological sectors of the Kirchnerist lineage are still awaiting utopia. The epic of the imaginary revolution that Nestor imposed, while conceptually collecting, was hidden in the hubbub of the late Frepaso.

The Doctor – maximum shareholder – lets the Máximo-Sergio join flow. But he does not finish approving the negotiations that Alberto faces with his minister. With the International Monetary Fund and the Paris Club. Because the doctor prefers the game from the other top. Axel.

A daring experiment that La Doctora faces with Axel in the province of Buenos Aires with relatively relative success. The Doctor collects a large part of his votes in the suburbs of Buenos Aires. This is where the barbarity of the plague converges most with electoral banality (which limits and closes the needs of the economy). But Axel continually runs after the virus that sets his agenda. The leadership wears itself out in the persecution of the virus and in the endless protest sermons.

The virus sets Axel’s agenda while Axel sets the agenda for Economy Minister Guzmán. With the endorsement of La Doctora. Alberto is in the middle. Like Woody Allen in “Zelig” (cult 1983 film). Zelig agrees with both. It depends on who speaks to you last.

He is a victim of the illusions deposited in him by those who have tried to use him to emancipate himself from the Doctor. They didn’t understand anything. As those who are excited about the strategic differences do not understand it now. Anything that opposes La Doctora immediately achieves high membership rates.

Alberto also carries the official reproaches. They are disappointed by the mistake of being wrong. With the anguish of communicators who implore the rite of betrayal. Riding on the plague, when Alberto put the country on his shoulder, he grew up in the polls until he generated the false passion for “Albertism”.

Since the embarrassment of the expropriation of Vicentín, he has not been able to stop the collapse. Any advertiser challenges him. Enough with the destructive weapon in the archives. The “delegated power” weighs. Another can not have.

Máximo brings to the quintet the structured organization he leads and the evolution of his temperament. He is allowed to drive between the corridors of companies. Frightened businessmen feared they might come across a sketch by Firmenich. However, they are surprised by a dapper boy, who tells them numbers and indicators. The great display of rebellion is to do without the tie. As if it was another macrista in the pile.

B.- Female majority

Equally picturesque is the Juntos por el Cambio quintet. Contains the gender attribute. Majority female. Although she has been slightly moved, Ms. Carrió still dominates the profitable moral issue. The person moving her, Ms. Patricia Bullrich, intends to move Ms. María Eugenia Vidal as well. And the two men. To the natural candidate, Horacio, first. And also to Mauricio, the leader who implements it to crush Horacio in the Capital. The Maxi Kiosk.

María Eugenia is the head of the non-viable territory of Buenos Aires. As best he could, he ruled over it. Today, María Eugenia reasonably maintains the same presidential ambition as Patricia. But he brings a great sense of loyalty to Horacio, the natural candidate. The one Patricia and Mauricio are trying to denature.

Next, the pentagon has two pairs facing each other. On the one hand Mauricio, who aims to exceed the range of the previous failure. To go out, cool, to play the “second half”. Alongside Patricia, the instrumented who sets out to implement, as quickly as possible, even his instrumentalist (Mauricio).

On the other side María Eugenia and Horacio. A Horacio transformed, by Alberto, into the epigone of Domingo Faustino Sarmiento. With María Eugenia, who maintains the enigma of centrality. Because the lady torments, with the suspense of the indefinite, the other four of the quintet. It is multifunctional: Mauricio wants her as deputy in the province (and leaves the capital to Patricia). But the new Sarmiento prefers her to María Eugenia in the capital, to obstructing Patricia’s haughty passage (and Mauricio’s return).

It turns out that it is useless for María Eugenia to have an internal fight with Patricia. Even if it’s to help Horacio. But Sarmiento is already big enough. It is enough alone and is – wants to be – the political leader. The one who is served by the competition with María Eugenia is Patricia (even if she loses it). Possibility that, for herself, María Eugenia can not even consider.

It is precisely here that, despite the nostalgia for wet gunpowder, Carrió’s moral question takes on its full relevance. With the mere presence in the media, with a sentence that rocks, Carrió eases the dusty offensive of Mauricio and Patricia.

For various spiritual reasons (and to extend them), Mauricio and Horacio must ensure control of the autonomous artifice. The Maxi Kiosk, where they have been shipped for 14 years. Much more important, for both, is the distribution in town, than the assumption of responsibility for the impossible carrindanga of the country.