Another mission accomplished for Ethan Hunt – Shows



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With "Repercusión", the saga "Mission Impossible" literally and figuratively rises to new heights with one of the most cleverly badembled and visually exciting action films of recent times.

Ignoring missteps as The Mummy or following Jack Reacher or rather mediocre proposals as Oblivion the recent trajectory of Tom Cruise maintained an admirable level of quality. And at many of the highlights of this recent trajectory, such as Al filo del mañana, the first Jack Reacher or the previous impossible mission we are dealing with today, Cruise had as a constant collaborator Christopher McQuarrie who went from Oscar – winning screenwriter to one of today 's most interesting action filmmakers.

As this is the norm in the series for some time, the plot is almost irrelevant, a series of actions and reactions that lead to the agent Ethan Hunt ( Cruise) and his team, which still includes his old friends Benji ( Simon Pegg ) and Luther ( Ving Rhames ), in an international pursuit after the track of three stolen plutonium cores that could be used to make atomic bombs. Capital cities like London and Paris are becoming racetracks or athletics, betrayals and counter-betrayals follow one another, figures of the past like the sinister Solomon Lane (19459006) Sean Harris ) and the l & # 39; British agent Ilsa Faust ( Rebecca Ferguson ) come back and new faces as an imposing Henry Cavill in the guise of a CIA agent brutal methods, add to the equation.

saga Fast and Furious – currently, the current example looks more like Mission Impossible another high-quality action saga that improves more and more and that puts the emphasis on practical special effects – the details of the argument matter less than the action and interaction between characters that have a surprising depth under a simple facade; Cruise is a first-rate actor, and seeing him portray Hunt's dilemma of being unable to sacrifice a life (other than his own) by millions reminds us that there is a real dramatic talent under all this charisma , and that Hunt never stops. to feel human and fallible even if we know that in the end it will prevail.

At the risk of looking like Grandpa Simpson screaming on a cloud, McQuarrie films his action as in the golden age of visual effects (the 90s), with effects practical specials accompanied by digital retouching; understand, the real cars really crush, the parachutes that rush seriously to the ground to the heartbeat followed by a cameraman who falls with them with a camera holding his head, and helicopters that really zigzag between the mountains and do terrifying stunts. And it's in those moments that comes out the value of an actor like Tom Cruise

The advantage for McQuarrie (or anyone who works with Cruise) is … basically that Cruise is crazy, ready to take huge risks without using double, and for this the director is able to film his action more clearly and without resorting to digital tricks or editing to hide a layer of dice. artifice that's just not there. Yes, many of those cars that Ethan Hunt dodges on his motorcycle in Paris are digital creations, but it's actually Tom Cruise on the bike and McQuarrie makes sure it shows.

Repercussion boasts at least four extended action sequences This could be the highlight of any other movie, but here they are simply another dish in an adrenaline rush. And unlike the previous two films, which reach a spectacular peak midway through their time (the sequence of Dubai in Protocol Ghost and the water raid and the subsequent persecution in Nation Secreta ), Repercusión distributes its moments of great impact throughout the film, ensuring to save the best for the end.

The Soundtrack of Lorne Balfe Tie For the darker tone of this film, it lacks the playful identity of Michael Giacchino's compositions in Ghost Protocol or propelling force of Joe Kramer's music in Secret Nation but his grandiloquent emulation of Hans Zimmer in The Knight of the Night with subtle touches by John Williams in Indiana Jones serve as accompaniments more than appropriate to the madness of the screen. McQuarrie also makes great use of the absence of background music at times like a brutal melee fight in an immaculate white bathroom, letting percussion hits and the actual physical performance of the artists – among which a Bestial Henry Cavill- marks the pace of action

Mission Impossible: Repercusión is, simply, one of the best action movies of recent years, a high-end movie display that barely feels like two and a half hours

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MISSION IMPOSSIBLE: REPERCUSSION ( Mission: Impossible – Fallout )

Made by Christopher McQuarrie [19659003] Written by Christopher McQuarrie

Produced by Tom Cruise Christopher McQuarrie JJ Abrams David Ellison Dana Goldberg Don Granger and Jake Myers

Published by Eddie Hamilton

Staged Photography by Rob Hardy

Sound Creation of Lorne Balfe

Distribution: Tom Cruise Henry Cavill Simon Pegg Ving Rhames Rebecca Ferguson Sean Harris [19659015] Vanessa Kirby Alec Baldwin Angela Bbadett Michelle Monaghan Wes Bentley

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