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The progression of the photos shows the invisibility of a mother, her daughter and the doll under a scarf, a hijab and a burqa: at the end black wins, swallows it all, like death itself.
Yemeni photographer Boushra Yahya Almutawakel published his work in 2010, he titled it Mother, daughter and doll, as part of a larger photographic project, The Hijab seriess.
The sequence of the women who disappear behind the veils It is made up of eight images that graphically represent an idea: the progressive invisibility of women, the attempt to neutralize them, to censor them, to repress them, in short.
In turn, the work highlights power and courage women from the Middle East.
During these hours, the photos not only circulated again on social networks but also they went viral for what they represent and in the face of the worsening political situation in Afghanistan.
Imagen: “Mother, Daughter, Doll”, from “The Hijab Series”, 2010.
We already know that the Taliban’s seizure of power jeopardizes the achievements of women over the past two decades: in this context, prohibitions, restrictions and human rights violations.
There is a precedent that fears the worst and justifies the fear: the Taliban, who are governed by a strict interpretation of Islamic law, they have already ruled Afghanistan for five years, between 1996 and 2001. they were denied the right to work and even to leave their homes without a man.
There was also public executions and mutilations, women accused of adultery, or arrested for wearing sandals revealing their feet.
The sequence of women disappearing behind veils is made up of eight images that show what wearing them implies: progressive invisibility.
Over the past two decades, women have made remarkable progress. So the world is on the alert and feminist collectives warn of the danger with a reverse.
And they even promoted a petition, which already accumulates 50,000 signatures, in which they demand the opening of borders for Afghan women.
Photographer in Yemen
Almutawakel was the first woman to become a professional photographer in Yemen: she trained in the United States and returned to her country in the mid-1990s at the age of 25. She later founded a gallery of art exhibitions and debates and focused on work to rethink the role of women in contemporary societies.
displaced Afghans. The country is going through a period of fear and chaos.
In this one, the series that made her famous, proposes to reflect specifically on conditions imposed by fanatic regimes and which tend to erase certain groups from the scene.
The artist thinks that “instead of covering women, they should focus on menYes, educate them on how to treat and respect women, which I think is more in line with Islam, at least for me.
Regarding the use of the different types of veils that cover the body and face, the photographer believes that it should be every woman who decides whether or not to use it. He said in statements to the press: “I have mixed feelings in regards to. When I am in Yemen I feel comfortable with it because everyone uses it and in a way I feel more confident with certain looks from men. It’s kind of liberating. But for me, it doesn’t make sense to cover my eyes or wear gloves. “
And also: “Another thing that I have a problem with is seeing the girls with veils or even with the nicab. Even if I finally believe that every woman has the right to choose how she wants to present herself to the world, be it with hijab, niab or none of them. ”
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