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"The Dark Knight" was released 10 years ago today and if superhero movies are your thing, one thing is clear among all movie buffs – the acclaimed supercharged movie a kind of super -Heroes growing, resulting in dozens of films have tried to emulate or develop the brilliance of the project.
Before Christian Bale and Heath Ledger compete in Christopher Nolan's "Batman" saga, films like "Batman" by Tim Burton in 1989 or "Spider-Man" in 2002 were torn off from iconic comic book pages they started.
Who can forget Jack Nicholson's wacky laughter or Willem Dafoe's caricature mask in "Spider-Man," which plays Peter Parker's nemesis, the Green Goblin.
But after "The Dark Knight", things really started to change. This is not to say that the predecessor of "Knight", "Batman Begins" three years earlier, has not already set the stage for a "realistic" superhero movie, but that the acclaim and the Welcome received by "The Dark Knight" filmmakers everywhere stop and say, "How do I do that ?!"
They all wanted to jump on board what Nolan was able to accomplish, anchoring Batman in the real world and tackling superimposed problems, where there is no good or bad. Then there was Ledger's Joker, a masterpiece, who was not just a colorful kaleidoscope for the eyes, but a mental exercise to be an evil genius.
Moviestore / REX / Shutterstock And here are ten years later, with hits like "Logan", a movie of 2017 that is much more Western than a movie of superheroes, centered on the sad, but the true reality of aging and the loss of all abilities (not just the heroic type) that people hold dear and dear to their hearts.
Wolverine loses his sight and ability to heal, but realizes what is true love while he takes care of a 90 year old Charles Xavier, with his grief and regrets of old age.
But we also have movies like "Fantastic Four" from 2015, which made less than $ 170 million at the box office and was completely swept by critics, or "Dawn of Justice", which included Batman and Henry Cavill of Ben Affleck. Superman, but has been criticized by critics for being too gritty and too dark. The follow-up of the film, "Justice League", received a better reception with a lighter and shallower tone.
So, is there a good way to approach these movies now? Should filmmakers try to imitate "The Dark Knight"? Or should they take a completely new direction – like "Wonder Woman" or "Black Panther", movies placed in their respective worlds, but clearly unique in themselves?
"GMA" sits with critics and superhero experts to talk about the future of these films, while looking back to recognize Nolan's powerful influence.
First, we look back.
"Why so serious?"
Moviestore / REX / Shutterstock What was left of the public, it was the trick of "Knight-mares" – clbadic facial scars without clear explanation of how the Joker had them, with no idea of where this brain came from or what he wanted. Everyone knew that the guy was that he was Yin at Batman's Yang.
"After the movie came out and with all that it did, you realized, yes I have to work on something very special," Caglione Jr. told ABC News for the 10th Anniversary of the film.
"I think it will be in my obituary," The Joker's guy is dead today, "he continued, laughing.
This is a bold statement from a veteran artist who has worked on films like "Friday the 13th," "Dick Tracy," "Chaplin," and "Donnie Brasco," for not appoint only a few in his career of over 30 years.
But what did not make him laugh, was the hard work and hard work that he and Ledger put into every detail of the Joker's image.
"I only have very good memories of this experience," said Caglione Jr., speaking of working with Nolan and Ledger.
"Chris, it's just a sweet soul, who has great vision, and Heath too, the same thing … and for my money, [in the film] you can not wait to see Heath come back to the camera. It's just so many different things, every scene with the character. "
Caglione Jr. stated that it was a privilege to force oneself to move away from "clean" make-up jobs that the public had used to see in clowns.
Instead, he and Ledger drew a disturbing image, with cracks and crevices where the white makeup would give way to the natural tone of Ledger's skin. Caglione Jr. described working with Ledger as "a dance", with the duet completely interlaced, fully synchronized, as long as it was necessary until both of them were satisfied with the result .
"It was a real collaboration to make this makeup like that … I had to learn to drop my hand," he explained. "And that it's messy and distorted, and it worked against everything I've been trained to do … this makeup is so messy … Like this quote," the imperfection is the "perfection," the drops or things that happened in the chair, it was the plan to follow. "
"It's just a completely different universe that they created," he said about filmmakers. "They took out the comic book and they made it their own movie."
Caglione Jr. can clearly remember key scenes from the film, like the one with the disappearing pencil stroke and thugs.
"I think we shot in 8 or 10 o'clock … all the actors who were standing around the table gave a standing ovation to Heath, they just applauded it, I think that's what's going on. he did it like 10 different ways and every way was beautiful, "he said.
But was it too good?
Scribe and editor Richard Newby study the lasting impact of the film in a column for The Hollywood Reporter entitled "The Complicated Legacy of The Dark Knight".
Yet despite the recognition of the film's "unequivocal grandeur", Newby says the film's legacy could be "the so-called dark, gritty, and anchored reboots that followed in its wake" .
But while the film was brilliant, was it too beautiful – spawning all those movies that were trying to be like that, but inevitable failed because no movie can be "The Dark Knight" other that … well, "The Dark Knight"?
A THR review on Nolan's clbadic film: "The Dark Knight" is a testament, an invitation to change, to break the rules, to rework the barrel and to introduce some of the 39, anarchy "https://t.co/bC9WJKRteJ
– Hollywood Reporter (@THR) 16 July 2018
" This has certainly helped to make adaptations to comics, especially to superheroes, increased prestige and prestige, "Newby told GMA. with "attracting bigger names to these movies."
But Newby notes in his THR play that "[i] it's easy to remember" The Dark Knight "as a superhero movie."
Instead, Newby sees him as a completely different entity, plus a crime thriller-drama that happens to have characters like Batman and The Joker in his very exciting 150 minutes of time.
"I think that's part of the way comics movies will stay alive, approaching them through other genres," he said. "The superhero's fatigue is very much felt … but when you have movies like 'Logan', you get closer to a Western point of view or 'The Dark Night &'. "Which is a police film in vain of" Heat "Michael Mann," It's what keeps these properties alive. "
Moviestore / REX / Shutterstock If you look at "Thor: Ragnarok", "Wonder Woman" and "Black Panther", these are all superhero movies, but could also be considered a fantastic fantasy movie space, a time of war and a film about social injustice, with themes of dialogue.
"When superhero movies flourished in the early 2000s, they were all deeply rooted in the original idea of comics," said Newby. "With Nolan, it's not necessarily a comical guy, I think he was more interested in taking his characters and looking in our world, and" how do you express that idea of vigilant justice and terrorism? "
The disadvantage, Newby points out, is that when someone creates something new and highly successful like "The Dark Knight", the imitators follow closely. Instead, creators should try and imitate creativity and also find something truly original, not an imitator.
A film that he referred to in his play was the restart of "G.I. Joe" in the late 2000s.
"They had all-black suits and they tried to make Commander Cobra serious," he said. "I think it's far from the inherent ideas of who these characters are."
Where there are extravagant characters in the movies, Newby suggests embracing "this ridiculous".
A silver or black lining
Peter Travers, legendary critic of the film Rolling Stone, said that while others think that "The Dark Knight" has a complicated inheritance, he believes that 39, is a wonderful legacy. a nod to the Oscars for this year's "Black Panther" superhero sensation.
In 2009, when "The Dark Knight" was not nominated for the best film, the reaction was so strong that the following year, they doubled the number of nominees from 5 to 10. Now, "Panther" can reap the benefits of such a move.
"Everyone was angry that" The Dark Knight "was not nominated for the best movie when they thought it should be," said Travers at "GMA".
Marvel Studios But Travers adds that "game-changing" movies like "Deadpool" of 2016 have not been nominated, even with the biggest field. So, the Academy still hesitates to bring this kind of acclaim to a superhero movie, but they may have a hard time ignoring a move like "Panther".
"I think it's a wonderful legacy, they say you can do something artistic with these films and still be accepted," explained Travers about the "The Dark Knight's" gates. .
"Because the thought was that if you did something artistic, it would fail at the box office.
He continued, "The best heir to this legacy will be" Black Panther ".
Marvel Studios Travers says that "Black Panther" is the first comic movie that has been taken seriously since Nolan's masterpiece 10 years ago.
"I think that 'Black Panther' has the best chance of seeing any of these movies [at the Oscars]," he said. "It's happened at a time when this kind of movie and that kind of identity is something that resonates for them and that they're going to mean that they recognize each other, could it?" win, I do not know.
Marvel and ABC News are both owned by Disney's parent company.
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