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WARNING: The following contains spoilers for Mission: Impossible – Fallout .
Tom Cruise and director of Mission: Impossible – Fallout Christopher McQuarrie speak their own language
No, really: The two, who collaborated on seven films (including Fallout and Rogue Nation ), know how to communicate without uttering complete sentences, or even words. "We've developed a shortcut where other actors do not really understand the language we're talking about," laughs McQuarrie. "We look at each other and say," Ah! " Mmhmm " Uh That's right, with the thing. " And Rebecca Ferguson is standing "I understand that nobody else knows what you're talking about." But for Tom and me, it's so clear.
This stenograph helped the two men achieve the latest practical feat of the franchise: a HALO (High Altitude-High Opening) jump in the first act of the film. After all, they were the only ones who thought it could be done. " Everyone said [Tom] that it was impossible, but now I'm just used to that," says McQuarrie. "There is always someone who wants to tell Tom Cruise," Hey, you know you can not do that. And I look at them and I tell them, "It's your first movie Tom Cruise, is not it?"
Below, the director takes us through the steps to capture the scene.
The Challenge
It was not just about jumping from an airplane to 25,000 feet. It was also a question of lighting, camera technique and selling of the action. (Remember: the sequence implies that Ethan saves Henry Cavill's August Walker from outdoors.)
Then McQuarrie was the one who wanted to make the jump at dusk and at once. "It could not be too bright, and it could not be too dark, so we had an envelope of exactly three minutes of light available every day," he says. "If Tom did not get the hang of it, that's it, we came back the next day and we did it again.We had exactly one take every day. day, we were rehearsing and then at dusk, you had an opportunity to shoot. "
He also needed Cruise to not only jump from a huge military cargo plane, the C-17 Globemaster, but also Act depicting Ethan 's despair as he attempts to deliver oxygen to an irresponsible and deceased Walker. "There is quite a bit of action in it, and that is what made the filming so complicated," he says. "We did not want any cuts, so you had to be able to choreograph all this action by following it from 120 to 200 miles at the time."
Chiabella James / Paramount Pictures
The Preparation [19659007] Even before testing the jumps, the team had to have the right costumes – and more importantly, the right helmets. (If you can not see Cruise's face, how do you know that he is the one who stops the shot?) McQuarrie says that a helmet was created just for the movie that would properly light up the faces of Cruise and Cavill (see below), as well as – more importantly – keep Cruise alive as it made the leap. "It's not just an accessory," says McQuarrie. "It's a suitable life-saving device."
A life-saving device that could just as easily have ended lives. The manager says that while they were adjusting the helmet with lights, they worried that if the light went on, Cruise 's head would catch on fire. To avoid this scenario the helmets were tested at an even higher altitude of 35,000 feet. "All this was tested very rigorously," he explains. "The oxygen bottle, the flight suit, the parachute, everything was scraped specifically for this sequence before Tom started doing his skydiving training." He pauses, then laughs.
Chiabella James / Paramount Pictures
The Final Product
After rehearsing first with a wind turbine, Cruise and McQuarrie went through the real jumps test. In the end, Cruise made 105 (105!) Jumps in total – with camera operators around him and the Earth rushing towards them all – in order to reach the shot.
McQuarrie, however, hesitates to call this waterfall the largest Cruise has ever completed; after all, he was there when Cruise stood on the side of a plane, and Fallout he had a cruise helicopter in a fight against another helicopter. Does HALO really jump better than everyone else? "It's very hard to say what's the biggest quote," he wondered. "They are all complex, they are all difficult, and they are all extremely dangerous.All require specific training, and every time we have done one, we do not stop saying: This is the turning point. "And we'll have another one!"
So many dangerous sequences during filming Fallout that McQuarrie admits that they had to leave a waterfall or two on the floor of the cutting room. "There was just too much film," he concedes with a laugh.
At least, all this effort for the jump HALO – of which we can see more far – has arrived:
Mission: Impossible – Fallout is now in the cinema.
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