Concert – kisses in the night – culture

Opera for all with Sonya Yoncheva on Marstallplatz

Shortly before dark, Sonya Yoncheva floats on the stage. Her dress is of a royal blue, which fulfills all the aspirations for a clear evening sky. It's a good thing, because gray clouds do not want to forgive themselves. For the duration of the traditional "Opera for All", held every year outdoors by the State Opera of Bavaria, this time on the Marstallplatz, but no one should put his rainy landscape. Yoncheva, the Bulgarian soprano size with a vocal volume that is in no way inferior to the radius of her skirt, which flirts on all sides, offers audiences three times Verdi, three times big women, three times the greatest drama . It's just a pity that the Arias remain small pieces that flatter Yoncheva's voice, but are considered only as vocal acrobatics and not as parts of a dramaturgically composed ensemble of people who have nothing to do with them. to see with the opera and want to be excited about it. 19659003] Behind Yoncheva, the Bavarian State Orchestra is heard in its fullness, the soprano is further inspired by the strength of orchestral music. This is why his thanks to chef Michele Mariotti and his musicians are much more cordial than the sparse kisses of the hands that make them fly in the darkness of Marstallplatz. That's it, it must continue. After all, the pavers are hard and cold and the wind unpleasant. As for the action on stage, she takes her usual course. The fact that people who listen here do not wear beaded earrings, but wear rain resistant shoes and do not spend a dime for the concert, do not bother the musicians, their interpretation of the 8th Symphony in G major Antonin Dvořák is dedicated to the best sound. can grow wonderfully here, as long as one is one of the lucky ones who have found a place in the limelight. In the second movement, the winds perform a serene dialogue with the powerful corpus of strings, and the flute manages to draw attention to their playful parts again and again. At first, the youth orchestra Attacca, under the direction of Allan Bergius, played Brahms' tragic opening in D minor – which drew many proud parents as well as inquisitors to the square, which probably stayed until late at night