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His eyes are dark and piercing. Egon Schiele, 22, is himself represented in his first monumental painting "The hermits", life size, in a black coat and without form. Behind his left shoulder, a second head protrudes, bearded, set aside, eyes closed and crowned with red flowers. The merged figures twist in a nowhere, in front of a luminous wall, through which something of landscape shimmers. For a long time, Gustav Klimt was recognized in the second figure, the central figure of the Viennese art scene after the turn of the century and Schiele's model. Verena Gamper, director of the Egon Schiele documentation center in Vienna:
"I think it's very helpful to revise this interpretation, which was so adapted to Gustav Klimt in the case of hermits, and to allow for other interpretations, because there are interpretations in the figure behind Egon Schiele. Franz von Assisi For example, I think it is precisely because Schiele has painted works very much influenced by ambivalence, and this is what he himself refers to in his letter to Karl Reininghaus, in which he talk about the vagueness of doing.
"The way in which the flowers are painted here suits me perfectly, (…) otherwise the poetic thought and the vision would be lost, as well as the indefinability of the figures, (…) the bodies of the tired, the suicides but also bodies of sentimentalists.See the two figures equal to a dust cloud similar to this earth, which wants to build and collapse helpless.
Drawn and painted every free minute
He could not paint the painting overnight, wrote Egon Schiele, but it was the result of several years, following the death of his father. At that time, Egon Schiele, born in Tulln in 1890, was struggling with Latin and mathematics, but he had already drawn and painted every minute. Initially, his hometown station and trains were his favorite motives because his father was the director of K.U.K. Tulln state railways.
"The loss of the father when Schiele was 14 years old is certainly something that has deeply marked him: his father died of syphilis, a result of a syphilis infection that he introduced into the It was not a quick death, he died on the last day of 1904, and in 1902 he had to quit his job because he was no longer fit for work. "
At 17, Egon Schiele managed to get the transfer to the Kunstakademie Vienna with his mother and guardian. He benefited from color theory clbades, including anatomy, but left school prematurely. He founded the group of "new artists", exhibited in the Pisko Gallery and impressed the art writer Arthur Roessler, who became the promoter of his work. During his short period of creation, Egon Schiele drew the public's attention, especially with his erotic acts, in which he presented himself – as well as his androgynous female models, usually with narrow limbs and shimmering skin and multicolored.
Died at just 28 years old
Hermann Bahr published his text "Das unrettbare Ich" in 1903, where he again refers to Ernst Mach and his theories on the multiplicity of the subject, a kind of depreciation of the idea that a subject must be a closed form and a closed entity, and in contrast, the idea that an individual is actually a dividend to use the term Nietzsche is actually a source of division. "
The painter of the ambiguous met his art the nerve of the time. In his images "Death and Girl" or "The Family", he negotiated old themes in a new form. He described his friends and collectors in his inimitable style, and his younger sister Gerti even modeled him for bad drawings. Schiele exhibited at the Munich Secession, the Folkwang Museum in Hagen and the Kunsthaus Zürich. In 1915, he was recruited, but his service was removed from the fronts of the First World War, in Vienna and nearby. However, his pregnant wife Edith and himself were not immune to the Spanish flu. On October 31, 1918, Egon Schiele died of the pandemic, he was only 28 years old.
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