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Berlin Fashion Week 2018: the Austrian designer Lena Hoschek will also be back
12:04, 03 July 2018
It all started in a small shop in Grazer Sporgbade. There, Lena Hoschek founded her own label, which represents traditional but optimistic pieces and succinctly bears her name. Hoschek combines tradition with fresh influences. It has proven to be one of the first that the costume and tattoo do not hinder and that in real women with angles, edges, but also curves. This attitude has paved the way for international podiums.
But not only in terms of clothing knows the Grazerin she also designed sunglbades, perfumes, shoes, children's fashion and bed linen. Many of them may also be familiar with a TV commercial for a chain of pharmacies.
Impressions of the Hoschek show of January 2018:
Lena Hoschek transformed the Grosse Tropenhaus in the Botanical Garden of Berlin into a velvety winter garden on Tuesday afternoon "transformed." With the presentation of her collection of same name for the autumn / winter 2018/19, the clothing designer from Graz opened the tour of Austrian designers at the German Fashion Week
(c) APA / dpa / Britta Pedersen
wore his hair tied to the neck of the "messy" knot, the shimmering, butterfly-colored makeup, and to the piano music of elegant flower beds, cuddly badtail dresses, trouser suits and skirts with wide tweed swings , with opulent embroidery, silk velvet, damask and brocade.Econvertible dresses of 18 hours played an important role, which can be easily reconfigured from desk ready for use.
[19659015] (c) APA / dpa / Britta Pedersen
She must "gratefully acknowledge that nature will always be the best designer," Hoschek said before the presentation. When traveling, they like to visit the botanical gardens. The many detailed floral prints for her new fashion, she worked with the help of ancient plant books. Coleoptera and caterpillars, butterflies and party animals also served as models. The inspiration for this comes from butterfly books from 1880.
(c) APA / dpa / Britta Pedersen (19659022) In addition to the aesthetics of full-blooming plants, the fashion designer also integrated their ephemeral character into his creations. She had studied the symbolism of the Vanitas and discovered the beauty of the withered. Hoschek modeled this aspect with nuances in shades of the earth. The shades and textures of the twinkling wings of the Skull and Tail Warbler are also included in the selection of colors and materials – in the shape of fine velvet and brushed cotton.
(c) APA / dpa / Britta Pedersen
was recognizable the influence of japanism and orientalism, two currents that set the tone for the apogee of the l '. Nineteenth century greenhouses architecture: Hoschek designed the "Orient Pants", a "Geisha Dress" and the "Lotus Belt" in this sense.
(c) APA / dpa / Britta Pedersen
The bride sent Thomas Kirchgrabner, head of the brand's sewing workshop, to the podium in a wedding dress embroidered with flowers everywhere, and spectacular red Carpet look: glittering shoulder dresses in metallic colors glow with rock chunks of innumerable stacked ruffles
(c) APA / AFP / dpa / BRITTA PEDERSEN (BRITTA PEDERSEN)
(c) APA / AFP / dpa / BRITTA PEDERSEN (BRITTA PEDERSEN)
c) APA / AFP / dpa / BRITTA PEDERSEN (BRITTA PEDERSEN)
c) APA / AFP / dpa / BRITTA PEDERSEN (BRITTA PEDERSEN) [19659028] c) APA / AFP / dpa / BRITTA PEDERSEN (BRITTA PEDERSEN)
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