Hans Christian Andersen makes a difference – Culture in Bremen: Latest news



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Hans Christian Andersen has traveled a lot. Even after Constantinople (Istanbul), it was like him, one of the motives

Hans Christian Andersen has traveled a lot. He also went to Constantinople (Istanbul), as can be seen in the "oriental building" motif. (City Museum of Odense)

In the evening, when the bread was eaten and the milk was drunk, the poet gathered his relatives around the fire. He then told them one of his fantastic stories, but by the way, his right hand wisely carried scissors along a sheet of paper. From top to bottom, from right to left, come across that it was a pleasure. When the poet was at the end of his fable, the scissors rested.

And a fanciful creation of paper took place in front of the astonished table company: a man with a tray on his head, a Pierrot or ballerinas, taken in a bottle. Most people remember the poet as the one who invented the little mermaid and the ugly duckling. But his images have been almost forgotten until a museum of a distant city rediscovers them. But it should take a very long time.

Long research

That's the way of saying it, the story of Hans Christian Andersen (1805-1875) and the Kunsthalle Bremen. The most famous Danish poet, known worldwide for his fairy tales of art translated into 150 languages, now devotes the exhibition "Poet with a pen and scissors" to the cultural mile, which is a journey of discovery. Andersen was not just a man of his word, he had also made hundreds of paper cuts and collages, which he had given to friends and acquaintances.

The research for the exhibition, organized by Detlef Stein and Anne Buschhoff, was long – the project was launched more than two years ago. The list of lenders is long. The Kunsthalle can now boast the largest ever presentation of Andersen 's art work in Germany; Three of his collage books can be seen out of Denmark for the first time. The exhibition speaks a lot about Hans Christian Andersen as a personality and, of course, as a fairy tale poet, because otherwise, you might not understand the themes of the silhouettes and collages that we can see in two of the seven rooms.

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This poor family boy, who leaves his parents' home in Odense at the age of 14 to become an actor in Copenhagen, is lucky. A wealthy family from the capital and a scholarship allowed him to study. Even as a teenager, he writes his first poems and fairy tales. And he likes to travel. Counting all stays abroad, Andersen spent nine years of her life out of Denmark, according to Anne Buschhoff. Italy, Spain, Portugal, England, Ottoman Empire and Germany, where he befriends the romantic Ludwig Tieck and Adelbert von Chamisso, he looks at him. In 1843, the first of several journeys brought him to Bremen, where he attended the third Kunsthalle painting exhibition.

He is a star of the Biedermeier literary scene, a time when new printing techniques and photography facilitate technical reproducibility. Although Andersen is not considered a handsome boy, he remains confident and vain, he can still paint again and he is the most photographed Dane of his time. He is aware of his status, but this is also due to the fact that he is dedicated to the brand "Märchendichter". His novels and plays are received far less.

Inspiration for the following generations of artists

Few people show the drawings he makes during his travels: views of landscapes drawn in a few strokes, leaving the space to the viewer to give free rein to his imagination – a style that clearly indicates the twentieth century. He soon swaps the pencil against the pair of scissors with which he creates creatures and wonderful, grotesque and mythical landscapes, worlds of images that were a "prelude to writing", as he says at her boss and friend Dorothea Melchior, as well as those of the One can see projections of boxes and walls.

Andersen also produces collages of newspapers, theatrical programs or sometimes dadic menus, and gives them to books for godchildren. His fairy tales have repeatedly inspired generations of future artists, documenting two spaces of the show. This applies equally, though less frequently, to his artistic work. The last four works, made by Andy Warhol before his death in 1987, feature silhouette engravings by Hans Christian Andersen.

More information

Hans Christian Andersen. Poet with a pen and scissors. Kunsthalle Bremen, until 24 February 2019. Closed on Mondays, Tuesdays from 10h to 21h, Wednesday to Sunday from 10h to 17h. AM.

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