"Love makes everything roll"

By Stefan Benz

Jocelyn (Franck Dubosc) markets chic sports shoes and trains for the marathon. The Gray Public Relations Manager runs as a professional teenager with the belly retracted following the success and age of it. However, the most important sport with which he keeps in shape is the apron hunt. He changes his wife more often than his running socks.

Love is only a competition for this performance lover, in which he sometimes makes himself an imposter, sometimes a downer, sometimes gives the African black or white l & # 39; Former cod fisherman from Lisbon. His lies are as compulsive as his looks in the ladies' cuts. This French tower is packaged like Konrad Lorenz's gray geese: if he sees a beauty, he inflates himself and decorates himself with fake feathers.

Those who sit still can not stand their mistakes

The reflex also installs, while the Playboy with the red Porsche Carrera sits nostalgically in the wheelchair of his dead mother. The neighbor enters. He sees his hot pants, she sees his alleged handicap, and he stays seated, wants to take him with the "compbadionate ride". But she presents it to her sister Florence (Alexandra Lamy), who herself sits in a wheelchair and has accepted her destiny with amazing charisma: an attractive concert violinist and an ambitious wheelchair tennis player .

This comes from the fact that the title "love brings everything in promise": he loses his heart for her, but can not stand in front of her or in front of her. Jocelyn remains entirely on the role, continues to play the disabled – not convincing, but persistent. This could be the case of badic confusion – just thinking about what Peter and Bobby Farrelly ("Mad of Mary") or Judd Apatow ("Virgo, 40, Male, Seeking …") would have done with 39 such a model. Director, author and leading actor Franck Dubosc remains pleasantly retained.

Jocelyn uses a lot of spontaneous skills to be complete on the game. Sometimes he is also wrong with his wheelchair, without the game of a fool getting in the way. And although the original title "Everyone standing" contains the call for sincerity, Franck Dubosc does not care too much about his main character as a writer. Although he provides Jocelyn as a life coach, a worried secretary and a fraternal doctor aside, but the lesson for life lies lies and lies life is rather unobtrusive.

Also because Florence does not offer any surface of attack. It seems that she wants to smile all wrong because she feels real feelings. The dramaturgical dilemma is only that Jocelyn must again and again miss the diversion to the truth, which leaves him deeper and deeper in the dilemma. At first, everything revolves around his credibility, but at one point, his story is too complicated for the film to make a plausible recovery.

It's a bit of a shame, but because Frank Dubosc is so careful with his main character, you may not be too strict with the weakness of the movie or the weakness of his main character.