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Premiere: The Joseph Haydn Opera "Orlando Paladino"
After the premiere of his opera "Orlando Paladino" at the Esterhazy Palace, Joseph Haydn was asked if he could write an opera so funny for another theater. It is said that he replied that his plays are only imaginable in this place and that one should rather ask Mozart that he could do so much better with the fun operas than he did. Haydn was an intelligent man who, in the Pannonian plain, saw his prince and in 1782 presented him with a play that was the greatest absurdity ever performed under the Signum opera, yet full of wonderful music. 19659003] Now the Bavarian State Opera welcomes its guests to the Prinzregententheater, where traditionally takes place the second premiere of the opera festival; a summer fun without major consequences, the thing only experiences a handful of performances, so she left and emotionally, intellectually, physically, mentally and there is nothing left at all. Apart from the memory of some brilliant performances, the magnificent Munich Chamber Orchestra and an extremely elaborate and completely useless staging.
No, stop. The audience laughs maliciously. If you are not looking for a reason why you are going to the opera and wait more than getting kidnapped for three and a half hours, you will be well served. It is better to chirp one before, so you can not realize that nothing matches this opera. Haydn has composed a buffa with comedians who babble, a serious opera with terribly suffering people, and what he builds with his hands, he tears back with his bad. To say that arias and ensembles, often fabulously invented by themselves, stabilize in effect and content, Ivor Bolton and the Munich Chamber Orchestra can still make music as elegant, dynamic and colorful.
Put the file elsewhere, no one will notice it. This uses Axel Ranisch for the big Bumpy Sause and is really, in the Falko Herold movie theater program, good, excellent cinema. He has diligently made films, the staff of the stage and the cinema come out and, "Purple Rose of Cairo", the cinema is a dream and a dream, the reality means to clean the popcorn machine. So, dear knights, no matter how stupid they are. Two of them, Rodomonte and Orlando, Edwin Crossley-Mercer and Mathias Vidal, constantly want to hit their heads, because they love the same woman, Angelica (Adela Zaharia), who does not care at all about her. they, but Medoro (Dovlet Nurgeldiyev) love them too, but nevertheless they leave constantly. Then comes the great witch Alcina (Tara Erraught) and judge everything. Multiple
There is also the lower pair, which is mainly because Elena Sancho Pereg is just adorable and David Portillo a vocal acrobat of the highest level, and two actors. The couple owns the cinema program and the male half probably ensured that the director felt physiognomically not alone in the rehearsals. No, seriously, it's great. Like almost everyone here. But you can not stop thinking and need a lot of patience.
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