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At a time when the musicians of the chiefs' office are constantly forced to approach their craft with "brains", concerts such as the recent Mozart Matinee are celebrated as little revelations: one can, if one Hears, partnering for symphonies and concerts like playing chamber music. Often a look is really enough, and a player who has kept halfway his sixth sense of harmony knows how to articulate the next bar.
The great orobist François Leleux uses it. It has been booked by the Festival as a soloist for the Mozart Concerto. The cancellation of Andrés Orozco-Estrada suddenly makes him a maestro and gives enthusiastic audience, after a humorous announcement by the President of the Rabl-Stadler Festival, one of the most captivating Mozart from Salzburg's recent history. Leleux does not lead like many professionals on the opposite line, but trains and directs the average voice with friendly energy.
The lines of dots fly away from one to the other, and we marvel at the rich polyphony of the major symphony. where echoes, imitations and ping-pong games are found from time to time, that the Mozarteum Orchestra achieves almost as eloquently as Leleux blows his brilliant cadences, which explore all the registers of his instrument for dynamic possibilities, in the lively oboe concerto
Keep in mind how much tension in this country settles regularly with larger projects of Mozart's lernter Kapellmeister. ,, (sin)
("The Press", print edition, 30.07.2018)
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