Salzburger Festspiele 2019 focuses on ancient myths "kleinezeitung.at



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The Salzburg Festival 2019 aims to take a fresh look at the ancient myths, which will take place from 20 July to 31 August. This thread of the program was presented Wednesday by the director Markus Hinterhäuser in the festival city. Among other things, five operas and four new productions are planned for this purpose – and with Valery Tscheplanowa a new vocation.

11:57, November 14, 2018

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For him, the myth of next summer is the conclusion of a trilogy that continued in 2017 with the main theme "power" and this year with "Pbadion," stressed Hinterhäuser: " It is a matter of continuing the question of whether the myths of our world still have a stock at all. "This is guilt, atonement, vengeance, sacrifice – and therefore states archaic that served as points of reflection for each era: "The myth can be the mirror and the distorting mirror of a social situation".

Helga Rabl-Stadler, president of the festival, was delighted with the theme of the myth that convinced them perfectly for Salzburg: "It fits very well with festivals, which are themselves a myth." A budget of 61.76 million euros is planned for the new season, said the president. The public sector contributes 13.44 million euros to this budget. For the 199 performances, 237,614 cards were placed in a price range from 5 to 440 euros.

The official premiere will take place on 27 July in "Idomeneo" of the Felsenreitschule Mozart, for which the duo director / conductor Peter Sellars and Teodor Currentzis will meet in Salzburg, which had already inspired in 2017 with his "Clemenza di Tito". Sellars wants to shed light on current issues such as global warming and the future of humanity. "If we think about old stories, we should only do so through our presence," says Hinterhäuser about this perspective. Currentzis, who this time runs the Freiburger Barockorchester and his Perm choir Aeterna, can call on Russell Thomas (Idomeneo), Paula Murrihy (Idamante) and Ying Fang (Ilia).

Luigi Cherubini's "Medee", also created in antiquity, dates back to 1797, and Australian Simon Stone returns to the Festival after receiving his famous "Lear" in 2017. On July 30, the play will premiere at the Grand Festspielhaus, with Thomas Hengelbrock at the helm of the Vienna Philharmonic, while Sonya Yoncheva – this year in the title role of "Incoronazione di Poppea" is at the head of the ensemble of singers, in which Jason and Pavel Cernoch finds.

George Enescu's "Oedipus" dates back to 1936. He was created on August 11 at the Felsenreitschule. For him, it is one of the most important operas of the twentieth century of the twentieth century, said Hinterhäuser. The old master Achim Freyer will be responsible for the stage and the direction while Ingo Metzmacher, specialist of the new music, will direct the Vienna Philharmonic in the Graben. The main role was won by Christopher Maltman, who is joined by John Tomlinson (Tiresias), Brian Mulligan (Creon) and Vincent Ordonneau (The Shepherd).

"All these topics also need a break," said Hinterhäuser. Thus, in his operetta clbadic "Orpheus in the Underworld", Jacques Offenbach takes a more humorous look at Antiquity, which will be screened on August 14 by Barrie Kosky, director of the Komische Oper Berlin. who celebrates his personal debut in Salzburg. Enrique Mazzola conducts the Vienna Philharmonic throughout the evening. Kathryn Lewek (Eurydice) and Joel Prieto (Orphee) lead a group of big names such as Marcel Beekman (Aristee), Martin Winkler (Jupiter) and Anne Sofie von Otter (Public Opinion & # 39;).

The darkest "Simon Boccanegra" by Giuseppe Verdi, which will be designed by Andreas Kriegenburg, who was also present at the Festival in 2017 with "Lady Macbeth von Mzensk" from Shostakovich, will be the only work of the cannon of ancient canons. Valery Gergiev conducts the Vienna Philharmonic, while the singers include Luca Salsi in the lead, Marina Rebeka (Amelia Grimaldi) and René Pape (Jacopo Fiesco).

In addition, in the opera area, the now traditional re-recording of the Whitsun Festival is the reason why you will see the production of "Alcina" by Damiano Michieletto with Cecilia Bartoli in the lead role also in the summer. In addition, the legendary "Salome" of Romeo Castellucci with Asmik Grigorian in the lead role of this year's Festspiel edition has been reissued for several dates.

Finally, two concert operas have been scheduled: "Adriana Lecouvreur" by Francesco Cilea presents Anna Netrebko again with her husband, Yusif Eyvazov, while Marco Armiliato conducts the Mozarteum orchestra throughout the evening. For the adaptation of Verdi Schiller "Luisa Miller", however, the power of a male star comes into the Salzach when Placido Domingo sings the Miller and Piotr Beczala sings the Rodolfo. Nino Machaidze, on the contrary, sings Luisa. In his debut in the festival, James Conlon directs the Mozarteum Orchestra.



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