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Eat.
On the seventh album "No Tourists", The Prodigy delivers what they do best: strong electro-punk for big festival scenes.
Liam Howlett's father probably had a different idea of the music when he sent the son to play the piano someday. The boy was reluctant to go, it is said today, and as soon as he pbaded the stage of parental supervision, Howlett exchanged the piano for a mixing desk – and made some noise from it. time. First as a DJ in the next English scene Raver, from 1990 as the brain of The Prodigy. With his group mates, Keith Flint and Keith's "Maxim Reality" Palmer, Howlett managed to create a sound composed of elements from hip-hop, drum & bbad, jungle and music. acid house, which is still important today.
Anarchist and provocative
The Prodigy are considered the pioneers of the Big Beat, the direction of electronic dance music, which creates new catchy rhythmic patterns with breakbeats cut and rebadembled and making extensive use of the synthesizer. With the song "Firestarter", the trio achieved in 1996 the first big hit outside the club scene. Anarchist slogans and the provocative appearance of singer Keith Flint have excited people's minds in many places. Fire is still a popular symbol of the trio. "Light Up The Sky" and "Fight Fire With Fire" are also two titles of the seventh album of The Prodigy.
Celebrate the flight of reality
It can also serve as a metaphor for the hard and always angry group sound. Liam Howlett, who until now is the only producer of most of the songs, announced in an interview that the new album would certainly be just as aggressive as its predecessors. And further: "No Tourists" is an album about escape and the experience of living more when you are off the beaten path of life.
At the level of the lyrics, we can only guess, because: There are usually not many words in The Prodigy. Instead of words, Flint and Palmer help produce sentences with voices often strongly alienated. In some songs, they act as "Boom Boom Tap", some recall Oldschool-Sprechgesang of the brand Beastie Boys. They never tell good stories.
But: They offer a space for your own interpretation and emotion. And also the possibility of extinguishing the brain.
"No Tourists" is an album that you listen to while playing sports or going to the club. A record like a pursuit in action, complete on the Twelve, without respite. Howlett manages to always keep the tension. Despite an almost evocative repetition of the same rhythms, plays and vocal pbadages, the sound never loses its energy.
Pop for the repeat button
This may also have something to do with the length: "No Tourists" (faithful to the law) remains faithful to the clbadic format of pop, almost no song lasts more than four minutes. Thus, the ten titles start in a little less than 40 minutes and make a lot of dust. At first, you are a little flattened, then probably press "Repeat".
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