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Godzilla CXVII: Dragon Demolition – with brothers Lou and Pete Koller, Craig Setari and Armand Majidi – soon in your cinema! The title could be about the same if the cover art, inspired by a movie poster, did not hide the new studio album of the hardcore institution New York SICK OF IT ALL. For more than three decades, the four Big Applers have been not only one of the defining strengths of New York bad, but also a guarantee of regular, high-quality studio albums. SICK OF ALL do not fear anything and do not tolerate foreign substances in their law of absolute purity. Is this creed still valid in 2018?
In principle, we can state the second point, because SICK OF IT ALL does not allow itself, during the fourth decade of its existence, a break of serious style. Also on "Wake The Sleeping Dragon!", Celebrate the New York bad co-founders in their original way of playing the same way, while incorporating new refreshing aspects. Thus, the new album offers the timeless SICK OF IT ALL, which has found its deserved place on every quartet album ("The Snake (Break Free)", "To The Wolves"). Lou Koller and Co., however, more freely introduced musical writing and accented its accents with stylized touches of color, sung lines of text, and melodic songs. In addition to a hymn to lost friends ("Always With Us"), he notably surprised "Bull's Hymn" as a real punk teaser, which looks a bit like the DROPKICK MURPHYS without his bagpipes. Incidentally, Tim McIlrath of RISE AGAINST's Chuck Ragan and HOT WATER MUSIC can be heard as a guest. The new songs sound in the proven sound, which has become a little more refined compared to previous albums and releases a certain live atmosphere.
In terms of lyrics, SICK OF IT ALL continues to spread his unconditional message, but also allows himself more freedom to write his lines. For example, musical examples of the band (BAD BRAINS in "That Crazy White Boy Shit" – HUH!) Find their appreciation. The animal tormentors ("Bull Anthem") and the boring Self Selfprolos ("Self Important Shithead"), however, are deserved and entertaining. The approach to open and less dogmatic composition is also reflected in the texts and thus gives a coherent overall picture.
As one of the oldest NYHC groups, SICK OF IT shows no signs of wear and does not let any routine or old-fashioned crime end. The troupe has played at a high level for many years and could have produced a good album as part of the F program. However, instead, they allow themselves a bit of freedom and thus deliver a strong and bizarre album that stands out from the long New Yorker discography that offers fans more than just a piece of hardcore.
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