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The French filmmaker was 92 years old. A fighter-nature who created a documentary masterpiece with Shoah "that took twelve years to create.
12:29, 05 July 2018
For ] Claude Lanzmann has always been aware of the past The purpose of his work: With the documentary essay "Shoah", in which he traced a characteristic of the Holocaust for nine hours to the ancient places of Horror with eyewitnesses, but without archive material, he created one of the definitive works of the Nazi revision He died in Paris at the age of 92.
Lanzmann was always a bearded fighter, a filmmaker who was considered stubborn, ironic and uncompromising, and it is precisely these qualities that have have the masterpiece "S hoah" made possible. For twelve years, Lanzmann worked on one of the most radical films about the extermination of European Jews under National Socialism. The victims and the executioners have their say in this silent dissertation, without painting too much, without ever questioning the filmmaker's position
In Search of the Truth as a Guide
Already in "Why Israel", his first 1972 film, Lanzmann stressed the need for a Jewish state before entering "Sobibor" "treated the uprising in the Nazi extermination camp of the same name.In 2013, he presented a work at the Cannes Film Festival entitled" The Last of the Unjust "in which he combines long interviews with Benjamin Murmelstein last president of the Theresienstadt Jewish Council, to plead his rehabilitation.The rabbi, now deceased, has been accused of collaboration with the Nazis. of the truth guides the work of Lanzmann
With Napalm, he finally settled in Cannes in 2017 to devote himself to the Korean War (1950-1953), during which American airmen dropped large quantities of napalm In the film, for which he traveled to the dictatorial country under Communist leadership in 2004 and 2015, he recalls the nurse Kim Kum-sun whom he falls madly in love during his stay of several weeks in 1958
Resistance to the Vichy regime
Lanzmann was born on November 27, 1925 in Greater Paris, son of a family of Jewish origin. From his adolescence, he was involved in the movement of young communists in France and, with his brother and sister as a student in the Resistance, the French resistance movement against the Vichy regime collaborator. However, his experiences with anti-Semitism did not prevent him from going to Germany after the war to study philosophy there. Lanzmann also worked as a lecturer at the Free University of Berlin
Journalist, he went to China and Korea and has shown active action against the war in Algeria. In 1960, he was alongside Simone de Beauvoir, Alain Resnais, Françoise Sagan and Simone Signoret, one of the first signatories of the famous "Manifesto of 121" against the war in Algeria . For that, he had to go to jail with a few other supporters for a short time. Subsequently, he intensified his journalistic efforts against all violence.
All the important decisions that I had to make were like dives, dives in the void.
Claude Lanzmann
His journalistic work has always been philosophically Lanzmann's friendship with Jean-Paul Sartre and led a seven-year relationship with him. writer and feminist Simone de Beauvoir . And the film's essayist also worked as the author, where his own life was the main objective, as evidenced by the volume of memory "The Patagonian Rabbit" of 2009.
On its 90th anniversary in 2015, "The Divine Divine Tomb" appeared in German, whose title refers to the Greek tombs discovered in 1968 in the ruins of Paestum near Naples, which show a naked man jumping into the sea. "All the important decisions that I had to make were like dives, dives in a vacuum," Lanzmann explains in his preface to the choice of title. In the "Diver" Lanzmann illuminated his life as a "writer", as he was calling at that time. After all, Lanzmann has long worked as a journalist for various media, including the magazine "Les Temps Moderne" founded by Sartre.
The honors for Lanzmann were many at the end. For "Shoah" he received the Grimme Prize 1987, in 2011 he became Grand Officer of the Legion of Honor and in 2013 the Berlinale awarded the filmmaker Goldeneye the Bear for the work of his life.
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