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Natascha Sadr Haghighian designed the German pavilion of the Venice Biennale of Art in 2019. For her presentation, the artist, who teaches sculpture at the Bremen University of Arts, chose the name Natascha Süder Happelmann. During Thursday's performance in Berlin, Haghighian hid his head under a sculpture reminiscent of a giant stone.
She did not speak for herself, but had a speaker speak for herself. The game of identities belongs to the artistic concept of Natascha Sadr Haghighian, said a spokesman for the University of Bremen.
Last year, the German Pavilion hosted by Susanne Pfeffer and designed by the artist Anne Imhof won the Golden Lion. Haghighian's work revolves around text, image, space and sound, said Franciska Zólyom, Commissioner of the German Pavilion and Director of the Contemporary Art Gallery. from Leipzig. The artist brings the poetic, imaginative and critical potential of art to unfold in different contexts.
For the contribution to the German Pavilion, Haghighian works with a personal spokesperson, Helene Duldung, and adapts her name to her particular task, namely the Institute of External Relations. For this, the artist has evaluated a collection of names with which she has addressed in the last 30 years. She has also launched bioswop.net, a place where biographies are exchanged to allow artists to exchange their CVs.
Natascha Sadr Haghighian recently exhibited her often political and critical works in Florence, Stockholm, Berlin, Innsbruck and at Documenta 14 in Kbadel last year. His work includes installations such as "Pssst Leopard 2A7 +", "Onco-Mickey-Catch" and "Fuel to the Fire".
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