[ad_1]
Caroline Weldon was the confidante and secretary of Sitting Bull. In the feature film "The Woman Who Precedes", the activist and civil rights artist is portrayed by Jessica Chastain.
The oil painting lands in the river, showing the late husband of Catherine Weldon. On the image that flows in the East River, we recognize a black man whose hard features betray that this marriage may not have been happy.
At the end of the film, there will be a second portrait in oil that Catherine Weldon (Jessica Chastain) paints herself; It shows the Indian leader Sitting Bull Between the two images lies a very unlikely story: that of a liberation and an unusual friendship that has gone so smoothly. Caroline (not Catherine) Weldon called the civil rights activist and the artist who lived with Sitting Bull and her family for a while, became her confidante, secretary and attorney and was painted several times the famous Indian Sioux.
Caroline Weldon has long shared the fate of women watched by history in the shadow of famous men. This time is over, even in Hollywood, where for some time now, even the Western genre from the point of view of women is reinterpreted. After Michelle Williams in Kelly Reichardt's "Meek's Cutoff" or Hilary Swank in "The Homesman" by Tommy Lee Jones, Jessica Chastain is now a pioneer in the Wild West. Ignoring the badist and racist barriers of his time, Weldon is a pioneer of equality. Weldon's title is for Susanne White's film
Catherine Weldon looks so mean here that she just wants to shake it up
Writer Steven Knight brings out the historical figure that traveled to the West as a political activist, who divorced and had an illegitimate child, sadly looking for a widowed New York widowed artist. When she travels to North Dakota with her suitcase and her beautiful dress in 1889, Catherine Weldon seems so naive that she just wants to shake her.
Jessica Chastain, who has played again and again in Zero Dark Trent "," Miss Julie "or" The Invention of Truth ", but also makes Catherine Weldon a fascinating and intriguing character. her fair skin and her coppery hair make her vulnerable.From her charisma, Jessica Chastain always develops female figures who know their vulnerability and yet reign with tenacity.
Catherine Weldon realizes the impossible: she meets Sitting Bull (Michael Greyeyes), the Indian chief, the Custer cavalry at Little Big Horn had exploded, and soon she persuaded the now living on the reserve like a potato farmer's chief to be painted by her.The white settlers and soldiers despise them and hate them, especially Colonel Silas Groves, portrayed by the Oscar-winning Sam Rockwell, a man also chauvinist and politically realistic.He wants to fire her.Because a lot of Indian They are hoping for a reconquest of the country in Sitting Bull. A white woman who respects this Indian leader, respects him as a politician, admires and ennobles him by an oil painting is dangerous.
Director Susanna White draws the Wild West in beautiful panoramic paintings that are reminiscent of clbadic Western panoramas, but also look like paintings. The idealized landscapes are the opposite of the dark and unforgiving nature that reflects the hard life of the pioneers in The Homesman or Meek's Cutoff. They illustrate Catherine's aspiration for a literally more colorful life beyond the social corset. In Sitting Bull, presented by Greyeyes as a cultivated and careful man, she finds a suitable counterpart. The Indian still remains the "Other", a little too good wild, but appears as an equal partner for the lady. Tracing the exchange between these very different people, beyond the boundaries of gender and culture, is very exciting.
By cutting the food ration, the Sioux are forced to "voluntarily surrender" their lands
this is not necessary there. He should smooth a film that seems a little pointless – among other things, because not one, but three stories are told. In addition to the history of emancipation and love, it is the story of the last rise and finally the fall of the Indians. By cutting food rations, the Sioux must be forced to "voluntarily give" much of their remaining country.
Under the direction of Catherine Weldon, they learn not to rebel against her, but to vote. Whether it is a white man who brings "civilization" to "savages" in the form of a democratic process is annoying and goes against the basic attitude of the film. Bitter, however, is that this realization of whites brings nothing to the Indians. As an insert in the end betrays, they are slaughtered shortly after the vote in the mbadacre at Wounded Knee. The story is not followed by any Hollywood dramaturgy
Woman Walks Ahead United States 2017 – Directed by: Susanna White. Book: Steven Knight. Camera: Mike Eley. Cut: Lucia Zucchetti, Steven Rosenblum. With: Jessica Chastain, Michael Greyeyes, Sam Rockwell. Tobis, 102 minutes.
Source link
