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NEW YORK (AP) – Martin Scorsese and Robert De Niro have gathered at the Tribeca Film Festival to prepare their recent and highly anticipated collaboration, "The Irishman", to take stock of their partnership.
The interview, which took place Sunday at the Beacon Theater in New York, has entrusted De Niro, co-founder of the festival, one of his most unexpected roles so far: the interviewer. With interstitial clips chosen by Scorsese in the filmography of the director, the famous laconic actor did not spice up the producer so much that he sometimes announced that it was time to discuss the "next".
But while the conversation relied heavily on Scorsese, it remained a window to their long-standing collaboration. Started with "Mean Streets" in 1973 and spanning nine feature films, it is one of the most famous film director / actor couples. One of Scorsese's regulars, Leonardo DiCaprio, was among the crowd, eager to see the legendary New York duo together.
"The Irishman", which Netflix will release this fall, is their latest gangster movie, after "Mean Streets", "Goodfellas" and "Casino". which tells the life of the hitman of the crowd Frank "The Irishman" Sheeran (played by De Niro). Al Pacino plays Jimmy Hoffa, some of whom have disappeared in Sheeran.
"It's in the middle of the images that we have made together and for which we are known, in a way, but I hope from a different point of view," said Scorsese. "I hope the years have passed and we are seeing things in a special way."
Although its release is months away, "The Irishman" – one of Netflix's most budgeted films to date – has already become the new flashpoint of the ongoing battle between Netflix and cinemas. The big chains have refused to play films that do not respect the traditional 90-day exclusive theatrical window. Netflix said it did not serve the interests of its millions of members.
How Scorsese will navigate in these divisions is closely watched. This 76-year-old filmmaker is one of the most respected filmmakers and has long been a staunch supporter of the film's history and preservation.
The director did not address these issues on Sunday, but he explained how "Irishman" resonated on themes that have motivated him for a long time. "Casino," he said, is linked to what he sees as a current "cultural explosion."
"It's the old story: how much is enough?" Scorsese said. "It has to do with our weaknesses and our pride. It turns out that gangsters, murderers, prostitutes and players are to be told. "
Scorsese said that "The Irishman" will be, like "Casino", with the score of "Contempt" by Jean-Luc Godard, a music from another film. He also said that his latest feature, "Silence", his 2016 religious epic about Jesuit priests in feudal Japan, connects to "The Irishman".
"Terry Malick wrote me a letter when he saw the picture. He said, "What does Christ want from us?" Said Scorsese. "In the old neighborhood, I saw people doing terrible things. But they still had something in them. They cared for each other.
"This film comes from this and our new feature film," he added. "It's right there."
Scorsese is also preparing the release of his documentary "Rolling Thunder Review: A Story of Bob Dylan", which will debut on Netflix on June 12. "Road show" "the night before its release in about twenty cities.
Music was a recurring theme for Scorsese on Sunday – he said that he often told her how to move the camera – just like his persistent interest in gangster movies. Referring to "The Irishman" while discussing "Goodfellas", Scorsese said that genre can contain everything.
"We find that we keep coming back into this world because I think we are trying to achieve what is essential," said Scorsese. "The microcosm is a macrocosm."
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Follow AP writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP
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