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From November 2018, Jamel Debbouze will return on stage with his first one-man show in seven years, entitled Now or Jamel . On this occasion, the 43-year-old comedian agreed to confide for a long time in Sunday Diary and to evoke an unknown aspect of his life: his business. Debbouze is not just the comedian, the actor or the husband of the producer and journalist Melissa Theuriau, father of two children (Léon, 9 years and a half, and Lila, 6 years and a half). He is also a producer, a businessman, a philanthropist, etc.
The interview takes place on the Ile Saint-Louis in Paris where Jamel Debbouze is living with his family. " There are many fantasies around my business entrusts the actor We are all dependent on piping I became a businessman by the force of things. -seven years, I invested my personal money for the Jamel Comedy Club and the Marrakesh of laughter, because no one produces artists in development. "
I became a businessman by the force of things
Then the JDD takes stock. Jamel Debbouze, it is also the production company Kissman who oversees Marrakech laughter. The festival, created in 2011, reached this year the financial balance and its audiences on M6 are excellent. Kissman also develops movies and series. Also in Morocco, this time in Casablanca, Jamel Debbouze created " an important group of events: the agency Avant-Scène, launched to organize the sumptuous birthday of Puff Daddy in Marrakech, write our colleagues. 'is a lucrative business: it bursts 200 million dirhams (18 million euros) in turnover, according to the weekly Jeune Afrique . "
Jamel Debbouze is at the head of another company: Deb Jam. The latter organizes its shows and the Jamel Comedy Club, a small auditorium of the Grands Boulevards in Paris where many comedians have made their debut as Thomas N'Gijol or Blanche Gardin. It is a stepping stone to which Jamel is very fond. For him, " we do the job of the Ministries of Culture, Youth and Labor! " We can not imagine anything other than serious when he says that.
Education, The flight of young people, their flourishing through the theater, seen as a vector of integration, is the source of his badociation with the businessman Marc Ladreit de Lacharrière with whom he created a great improvisational theatrical competition. Lacharrière is also a 50% shareholder of Deb Jam and the Jamel Comedy Club, while Vincent Bolloré has bought half of Kissman.
The Cleopatra effect
At the origin of this little Debbouze empire, there is its megastar status of the big screen. Not a movie with him can negotiate below a million. It's the effect Asterix and Obelix: mission Cleopatra and the daring contract but paying that had negotiated his agent Bertrand de Labbey: a profit on ticket sales if the film exceeds 8 million entries. An impossible bet? Mission Cleopatra exceeded 12 million admissions. The film by Alain Chabat became a phenomenon and Jamel received 14 million francs at the time.
Still, producing shows, young artists or films is far from being an exact science and the JDD to recall the bitter failure of the first film as director of the star: Why I did not eat my father . If the film has exceeded 2 million entries, it would have lost 28 million euros to Pathé according to Capital magazine. What would be success without his career accidents?
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