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By The editorial office of the MAD
The trailers and our reviews of the cinema releases.
Au poste! (Quentin Dupieux)
Surrealist, ubiquitous, irresistible: the best French comedy of the moment. A very well-written closed camera that becomes more and more strange and disturbing. The combination of absurd dialogues and hilarious situations works wonders. The actors are in excellence and play on a realistic note in this ambient surrealism, which proves to be fully exhilarating.
Tully (Jason Reitman)
Aided by Charlize Theron's masterly rendition, Jason Reitman looks fondly and melancholy at his heroine at the end of the road and signs a realistic and poignant portrait of a woman. In spite of an end that pushes the film back into the ranks, we let ourselves be caught without difficulty by this bittersweet reflection on life that goes differently from our dreams.
Skyscraper (Rawson Marshall Thurber)
Action movie lover – and that
Skyscraper
is one that sometimes dizzies steadily – Rawson Marshall Thurber realizes a work that makes you laugh without knowing it.
Good manners (Marco Dutra & Juliana Rojas)
Interestingly mixing social and horror in an original approach to the myth of the werewolf, filmmakers create an atmosphere and use off-screen to immerse themselves in this story-like film.
Sollers Point (Matthew Porterfield)
It is America (very) contemporary that it is in that it has less glamor. But unlike Michael Moore:
Sollers Point
does not use humor or irony to evoke white suprematism for example and then make our neurons work …
Budapest (Xavier Gens)
Inspired by a true story, this flatly trash and cocaine comedy surfs at level – 1 of humor. 102 minutes of gags and constant vulgarity with freewheeling actors. This heavy valve accumulating clichés. The problem with the film is not to go all the way. We remain in the predictable
The flight of Ploé (Arni Asgeirsson)
Both cute and childish, this film could please all (little) children. No need to try the experience with children over 10, they would be bored for sure. Served by an animation rather pretty and catchy, the problem of the film is that it conveys a message a little too simplistic. A little naive even if it has the merit of conveying the good word with the children
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