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Difficult to find a more satisfying franchise than Mission: Impossible which, with a few exceptions, always strikes by the excellence of its productions. Still betting on all the strength and devotion of Tom Cruise, Fallout sixth proposition, stands out here with a plume that literally cuts our breath, enjoying many of the most impressive action sequences in a long time . A must-see on the big screen
The quality that wins over the quantity becomes more and more rare these days, especially in the seventh art, the pursuit of profits remaining almost always the primary goal. So we appreciate that Tom Cruise and his band have taken the time to give a reason to be this new opus of the franchise, just to avoid doing a sequel for a sequel.
After all, we took more than three years before delivering the chapter we are interested in, Cruise has been preparing for more than a year for some stunts, in addition to significantly delaying filming after a serious injury, and we have finished it all. not even a month ago! Small details that make all the difference and prove to be the most rewarding when one declares without hesitation that this franchise which rolls its hump for more than twenty years, itself adapted from a television series of the late 60s, is at its best, even after six feature films. Definitely a rare commodity in the middle.
Nevertheless, to keep the interest forward, beyond the reinvention of action and this incredible ability to push back the imagination when the time comes to set new limits in what can be done without resorting to the special effects facility, the realism of the stunts being always put forward to amaze, it is still necessary to change the rules a little. A risky gamble that the franchise is allowing itself successfully, while pushing its fine distribution out of its comfort zones.
The poster of the film.
Thus, after having met on Valkyrie [19459005Beforeactuallymakingateamintheverysatisfyingfirst Jack Reacher Cruise returns to Christopher McQuarrie. Here he gives the chance, after the friendly Rogue Nation to be the first filmmaker in the series to take over more than one component (JJ Abrams relegated to the producer plan after giving back life in the cinematographic franchise, after the critical failure of the second film). Not only that, though we also give permission to bring back characters who are not part of the core team, but also the villain, writing this continuation in the direct continuity of the previous episode
These decisions make it possible to bring a lot of depth to the psychology, as well as the characters and we feel a real desire to get closer to the seriousness that lives James Bond. In fact, in many ways this Fallout gives the impression of wanting to be the Skyfall of the series, the vulnerability of the hero being constantly put forward.
However , with its motivations halfway between random and exaggerated, we get closer to Specter bonus duration, while the film rushes easily in twenty minutes too much.
Indeed, with a little too much emphasis on emotional moments, as well as an almost bbad story that is being over-explained (what the brilliant Ghost Protocol best part of the series to date, avoided without difficulty), the film allows us to blow because it will be admitted, after a more or less soft introduction to what has been delivered to us in the past, the film runs in a race against the clock that prevents us from breathing for almost two hours
This is how we admire with exaltation the evolution as a filmmaker of action films that shows McQuarrie, proving us with control that he understood his strengths and that he shows them here at power ten without any embarrbadment. Thus, great specialist fighting and prosecution, it maximizes the number and prioritizes long shots that put all the ingenuity in value, taking advantage of interesting staging and proposals in terms of places and space. This, in addition to offering enough Tom Cruise running (his big trademark) for our money.
It must be said, this Fallout is however the great baby of McQuarrie, who decided to appropriate the production, the realization, but also the entire scenario. This new film is no longer just a new entry into a franchise, but the master work of a filmmaker who has at heart the desire to lay a true artistic work, elevating him to the rank of a certain Christopher Nolan . And if he even borrowed the composer Lorne Balfe, great protégé of Hans Zimmer, Nolan collaborator par excellence, and that it certainly gives in the same palette of sounds, we must also admit that this way of pasticher with a little too much Evidence of his inspirations ends up doing a bit of pain to the ensemble, which in turn becomes The Dark Knight and Inception to name a few.
Of course, writing was never the strength of McQuarrie, who worked so much on The Tourist Jack and the Giant Slayer and on the new version of The Mummy and that would not have done him wrong to share the script so that the story has the same strength as the action scene, so as not to remember that basically, we listen mainly to this kind of film for entertainment and change the ideas. Fortunately, humor is still ubiquitous and the style of the company always prevails over borrowing, so that Mission: Impossible is changing and still remains a honorable part of the franchise
The fate of the world being even more at stake than ever with a climbing suspense that sticks to our skin, Mission: Impossible – Fallout is a sacred moment of palpitations dark rooms that will soon captivate us and we river to our seat as few films can boast to do, at least, certainly not so successfully. An imperfect film, certainly, but that is certainly clbad apart from all the usual summer blockbusters. Not to be missed under any circumstances
8/10
Mission: Impossible – Fallout is playing in theaters this Friday, July 27.
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