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We have already been hit by the man on the phone alone on the screen, but never like that. In 2003, for example, Joel Schumacher stuck Colin Farrell in a phone booth for "Phone Game", threatened by a mad sniper with whom he was forced to talk or else he would take a bullet. The tension seemed at its height …
It was not imagined then that, in the genre, we could do much more anxiety, what the director Gustav Möller applies with "The Guilty Spotted last April at the Beaune (Côte-d'Or) detective film festival, where he impressed the critics who awarded him his prize.
READ ALSO> Our film selections of the week [19659004ThefilmissetinapoliceemergencycallcenterandfeaturesapoliceofficerAsgerwhoreceivesacallforhelpfromawomanwhosaysshewaskidnappedbeforebeingcutoffDuring1:25themanwillonlyhavehisheadsethistenacityandhisabilitytobadyzeandimaginationtounderstandwhatishappeningclearthesituationtrytosavetheunfortunateAndthemorehetelephonesthemoreheadvancesthemorehehasdoubts
A film so terrifying
On screen, the staging, staggering of mastery for a first feature film, manages to put in place a terrifying suspense, while the viewer has as benchmarks only the look, voice and attitudes of the hero, as well as what he hears on the other end of the line. This, thanks to a huge work of framing, but also on the sound, and the phenomenal interpretation of the comedian Jakob Cedergren.
In the end, we can only salute the filmmaker and his actor to achieve, with a framework so limited, to make us tremble so much and to end up in such a terrifying film.
EDITOR'S NOTE: 5/5
"The Guilty" Danish thriller by Gustav Möller, with Jakob Cedergren, Jessica Dinnage, Omar Shargawi … 1h25
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