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The actor signs the staging of Thyeste presented at the opening of the 72nd Festival d'Avignon in the Courtyard of the Palais des Papes
Avignon, June 25. The sun is high that crushes the Court of Honor with its blinding light. On the set, about thirty men and women work quietly. The setting of Seneca's Thyeste is installed. Tourists visiting the palace shoot the scene from the Great Audience window. Huge dark blocks lie, remains of a giant statue, perhaps, dislocated on the plateau. Perched above one of the elements, at the foot of the wall, Christèle Lefèbvre, who signs with Thomas Jolly, this scenography leaving the Court in its mineral splendor, monitors the operations. On the other hand, nothing is discernible. One thinks fleetingly of the work of Henri de Miller, before Saint-Eustache. …
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