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We were on the plain of Werchter this Thursday afternoon. This is what we liked and what really bored us.
Top / Flop: Gigantism of places
Rock Werchter is the homeland of gigantism: the stage, the poster, the plain … Everything is bigger than anywhere else. Even the tents of KluB C and The Barn are huge. When he enters this sacred territory and exceptionally well organized, the festival-goer logically takes a small slap. The majestic main scene dominates a huge area, the sand mbadively spread over the pbadage areas after last night's storm gives the impression of attending the largest "Beach Party" in the world, and each of the 80,000 people present on the spot has the feeling of being in a special place.
For the atmosphere, however, we will iron. After 2 pm, hundreds of people sleep in the few shadows. The first groups that occur under tent have difficulty in imposing themselves, and the slightest piece of calm rivals the hubbub that is systematically installed in the audience. This poses no problem for "heavy" artists. It's much more complicated, however, when the American-Colombian Kali Uchis tries to install his soul and glamor universe, or when Steven Wilson abandons his guitar to settle on the keyboards. Intimacy is sometimes good, but there are too many people around.
Top: the flow of Little Simz
On the stroke of 16h, KluB C is half empty. But Little Simz has the fast flow, and the few hundred festival-goers well inspired to have the tip of their nose waddle endlessly. Adorned by Jay Z, Gorillaz and friend Kendrick Lamar himself, the Londoner has touching simplicity and true rap, beautifully instrumentalised in a universe sometimes urban, sometimes reggae / pop. The simple little happiness of this beginning of the day.
Top: The great return of rock'n'roll and Black Rebel Motorcycle Club
Rock is dead, buried, pushed back to the light years of the majority of the festival-goers. This Thursday in Werchter, however, blows a wind of electricity. The dark t-shirts are out, the nostalgic of grunge wait impatiently "Alice in Chains", and The Barn has taken the freedom to chain "Steven Wilson", "Black Rebel Motorcycle Club" and "At The Drive In". In terms of distortion felt, we saw worse.
If the Steve, always impeccable, has trouble lifting the crowds, it is not the case for Black Rebel Motorcycle Club that revives the tension and glory of the past. Authors of three legendary albums, Robert Levon Been and Peter Hayes had not come out correct for years. But their youngest left a presage of some form, and bikers with pale complexion have finally delivered the concert of the beginning of the day. All dressed in leather, the fellows did not stop swinging good riffs. Linking old rock'n'roll hits ("Spread Your Love", "Whatever Happened to My Rock'n'roll"), slide guitar anthems ("Aint No Easy Way"), and new inspired compositions. The apathetic public finally jumped and gave life to the Klub C.
See you in a few hours for the Queens Of The Stone Age and Gorillaz.
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