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David Fincher’s films are known to flaunt an actor’s full capabilities during an emotional scene, but that doesn’t always mean the director captures the right moment in the first take.
Appearing in VarietyBen Affleck’s (“Argo”) “Directors-to-Directors” conversation series offers Fincher (“Mank”) a theory about his two competing instincts as a filmmaker.
“One is a very specific idea of how you think it will work best and how you would like it to be,” Affleck said. “And the other is this deep desire to discover something accidental, different and new in the process.
After working with Fincher on “Gone Girl,” Affleck was curious as to why Fincher insists on taking so many takes on set, a technique he says he loves.
“I’d rather do takes than sit in my trailer,” Affleck said. “It was wonderful. It also relieves you as an actor of this idea that there is a finish line, there is an end. We’re going to get it and it’s going to be accomplished.
Fincher explained how he was initially reluctant to ask his cast to take additional takes for certain scenes, but said it was worth tightening up those scenes.
“It took me a while to get comfortable with the idea of saying, ‘One more, and I want you to think about it,’ Fincher said. “A lot of times you get pressed against the glass saying, ‘Please don’t take this the wrong way. I need you to come out, we’ll try one more. It’s like Carrie said, “What am I doing wrong?” You are not doing anything wrong. We are going to do three weeks or at the rehearsal, we will do a table reading, we will open outside the city, we will have at least three previews. And we’re going to do all of that today before lunch with this master. We’re going to go through all of this so you can come up with a place you’re going, ‘Yeah, I tried that. I tried that. No, really, it’s over here. And everyone can feel good about their job. This is what we are trying to tighten up. This is the piece of coal that we are going to try to transform into a diamond.
Watch the full conversation below:
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