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We’re three weeks away from Billie’s Happier than ever album released and today she released another song. Here is “NDA”:
I have to admit that when I first listened to the song, the first minute felt like it was something we had heard from her before. Layered vocals and staccato drum beats are a staple for her, and we hear them both in this intro. But just because we’ve seen this style before doesn’t mean it’s necessarily a bad thing. People try not to repeat themselves because people are bored. However, if an artist does something that dances on the fine line of their own originality while trying something out of left field, this is where success can come. It’s just enough to keep their fans loyal while attracting new listeners. The chorus of “NDA” is where Billie shakes things up, a well-executed waiting moment that paid off. The sudden change of pace, heavy auto-tuning, and pulsing to a completely different pace was a new decision. Billie is known to never use auto-tuning unless it’s a creative decision, so the choice here is to add to the song’s cool, underground, and mysterious energy. I have a feeling she knew exactly what she was doing leading with a classic Billie and then surprising us with a vibe she had never done before. I know I always say his songs are repeated when a new one comes out, but I legitimately can’t get enough. My music geek brain tells me it’s because the drop beat is on a weird account, but whatever it is, I like it.
That being said, “NDA” is an acquired taste. The eight second guitar scream at the start isn’t for everyone, and I don’t think Billie did it for the radio. This song is more of a statement piece. After her Vogue Cover, we were waiting to see what she meant when she said she was done caring so much about what other people think. This song is one of them. On first listen, you would think it was the regret she feels after having a guy who she made sign an NDA to keep her mouth shut.
“I had a pretty boy, but he couldn’t stay
On the way out I made him sign an NDA, mm
Yeah, I got her to sign an NDA
Once was good enough
Because I don’t want him to have bullshit to say “
But after a few listenings, I started to wonder… are we that guy?
Thirty less than thirty for another year (Another year)
I can barely get out, I think I hate it here (I think I hate it here)
Maybe I should think about a new career
Somewhere in Kaua’i where I can disappear.
At the end of the song, she revealed a huge “secret” to us: she doesn’t vibrate with all this celebrity affair. Instead of being able to throw a party, go out or live in the moment, she thinks about signing legal papers. I found the end of the song powerful because you can feel that regret that sets in when you share too much: “Did I go too far?” “. Billie breaks the fourth wall when she realizes that her openness could cost her her career. While the idea of fame is based on the talents of those we admire as a culture, in reality we’re the only reason they have the platform they do. If we weren’t watching her music videos, listening to her music, or obsessing over her personal life, there wouldn’t be “Billie Eilish: The Star”, and that’s the battle she’s trying. to lead.
The good thing about it is that Billie was supported by the people around her to tell her story, which means there is no one around her who takes her voice away from her. She made the video herself, and it shows from the authenticity of her performance (she’s a good actress and I wonder if she’s ever thought of trying it). Billie is working on her relationship to her fame through her art – and she wouldn’t be the first artist to struggle with that. However, she follows a generation of young stars, some of whom did not have the same artistic freedom. Glad to see she has a voice, but as a huge Billie fan, I hope this isn’t a thought process that takes her away from the industry.
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