[ad_1]
* NOTE: The following article contains major spoilers for Mamma Mia! Here we go again. If you have not seen the movie, go spend your "money, money, money" and come back here after . *
After 10 years and many questions from ABBA and fans of musical theater, Mamma Mia! Here We Go Again has hit theaters around the world. Fans have come out and celebrated this weekend, which is clearly demonstrated by the box office debut of $ 34 million in the United States, with $ 42 million of foreign debut.
The film, contrary to popular belief, follows Sophie (Amanda Seyfried) as she reopens the hotel as her recently deceased mother, Donna (Meryl Streep) founded, and a young Donna (Lily James) as she embarks on a cross-country skiing adventure and meets three lovers, whom she will design her daughter with.
But let's be honest; the public will not see Mamma Mia! Here We Go Again for character development, subtle narration or even intrigues that make sense. The world wants celebrities to sing their favorite ABBA songs, even though the vast majority of Swedish super group hits were already included in the previous movie.
There are plenty of great musical sequences in the film, full of cleverly orchestrated choreography, big budget pieces and much less of Pierce Brosnan's vocals. There are also a number of failures, where it is clear that the producers wanted to add time by adding another song from the expansive catalog of ABBA
while there are 18 songs on the tape The film's official sound, only 16 of them film (the filmmakers must have decided to cut "I Wonder (Departure)" and "The Day Before You Came" for the time.) With this in mind, here are the 16 performances musicals of Mamma Mia! Here We Go Again filed
16. "Kisses Of Fire"
It is almost unfair to place this song on our list. While many other film performances present a high-budget production value, a dance sequence or two, or even a general conspiracy effect for which they go, this ABBA song is treated fundamentally as a unique joke. Sung in a Greek bar by a mediocre and comically cheesy house band, this issue looks more like an ABBA Easter Egg strangely pulled than at one of the musical performances of Mamma Mia . The fact that this one entered the film, but not the magnificent haunted interpretation of "The Day Before You Came" by Meryl Streep, is a crime.
15. "Know Me, Know Me"
In one of ABBA's rare successes to debut in this film, young Donna breaks with the lover of she actually fell in love when Harry left the island. Harry sings the ferry, while Donna watches him leave the shore – and that's about it. It's an extremely short piece, with just the first verse and the chorus of the song. While "Knowing Me, Knowing You" is one of ABBA's most iconic songs, the film's interpretation is simply not able to do it justice. It is tragic that such a clbadic ABBA falls so far on the list, but filmmakers may have also cut it off with the time it eventually gets on the screen.
14. "One Of Us"
While "One of Us" is a truly awesome and often underrated ABBA song, the breakthrough ballad movie version was just a little embarrbading. In a scene that seems forced just for producers to include this song, Sophie has a furious and emotional phone call with her husband Sky (Dominic Cooper), where the two are arguing over whether he should stay indefinitely at home. New York to work. in another hotel. The next issue presents both walking and moping about their respective rooms, with some visual stunts that give the impression that they are really just one beside the other. It's a good piece of play, but it's finally cut off when Sky's plot is quickly resolved when he decides to return to Greece to join his wife.
13. "I have a dream"
In the end, this moment in the film does not mean much – we look like young Donna wanders through a farm worn on Kalokairi (a fictional Greek island), while the magic of filmmaking shows the audience the beautifully made version of this house, where Donna's hotel now resides. Even the silky dulcet tones of Lily James can not save this ultimately insignificant number.
12. "The name of the game"
This ultra-minted ABBA track was recorded and toured for the original film, but was eventually not incorporated into the final version . In his official debut in the series Mamma Mia! "The name of the game" finds the young Donna wandering around an orchard of orange trees, where she has a nice run-in with a goat, takes a ride with an orange and finally discovers that Sam, despite having slept with her the day before, is engaged. It's a good time in the movie, but it almost seems that its inclusion is not a plot-based choice, but that producers can include one of the four remaining songs from the show. 39; ABBA compilation album Gold
11. "Why did it have to be me?"
When young Donna gets on board a boat with her future lover Bill (Josh Dylan), the brazen sailor continually tries to convince her that the two should be together, despite the young protests from wife. This is a very good number, putting an ABBA song that many do not necessarily know in the context of the film. Although it may not be up to some of the performance-driven performances that we find further in this list, this deep cut does its job and does it effectively.
10. "Angel Eyes"
After a few musical numbers worked with emotion and sorrow, Mamma Mia! Here We Go Again needed a comical break. The film is turned to Christine Baranski and Tanya and Rosie Julie Walters to cheer the audience and Sophie. With the Dynamos trying to convince Sophie that she and Sky are going to be fine, this little number was both well executed and hilarious. Of course, Rosie's constant incoordination and her everlasting love for bread was the lowest common comic denominator, but it was still a funny game at a time when the film needed it.
9. "Mamma Mia"
Yet another repeating track of the original film, this entry actually serves a narrative purpose. In the first film, the interpretation of the song by Meryl Streep – although very funny and relatively good – does not really make sense. Of course, she was surprised, but even though she still had unresolved feelings about Sam, why sing a song about falling in love with an ex cheater while you see three men, only one of whom you broke the heart? In the sequel, the young Donna gets her own crack on the song, fresh after being heartbroken by Sam. So, when she and the Dynamos are about to play in a bar, she decides to let everything out. She felt, and this gives another beautiful interpretation of the clbadic ABBA.
8. "Andante, Andante"
Another love moment of the film, "Andante, Andante" serves as an audition song, sung once again by Lily James. Young Donna at the same time proves to a local bartender that she has a pretty good voice to sing in her establishment and to seduce her island lover, Sam (Jeremy Irvine). The background of Irvine and the company falls to the water so that James' stellar voice can sound clearly throughout this superb rendition of a lesser – known ABBA side B.
7. "Waterloo"
In the original film, fans were almost indignant at the fact that the single "Waterloo", from ABBA, did not make the final cup. The producers clearly understood this, and finally did justice to the song in the sequel. Set in a kitsch restaurant in Paris, a young Harry (Hugh Skinner) convinces James Donna that they must be in love, despite the fact that they have just met each other. Accompanied by tap-taps, Napoleon costumes and vocal performances well executed by Skinner and James, "Waterloo" is a wonderfully funny number that makes everyone laugh in the audience.
6. "I was waiting"
While the plot and characters of this film are ultimately secondary to the sunny soundtrack of ABBA, "I've Been Waiting You You" is one of the two songs of Mamma Mia! Here We Go Again that balances music with an authentic and touching emotion. When Sophie comes on stage to fill the place of her late mother in Donna and Dynamos, the film cuts between her performance of this beautiful ballad ABBA and the young Donna giving birth to his daughter. It's a beautiful, heartbreaking moment that is surpbaded in emotion only by another song (see below).
5. "Super Trouper"
Everyone loves a reminder, and that's certainly true for the finale of "Super Trouper" that plays on the credits of the film. The entire cast, (starting, of course, with Cher) returns to the screen for that heavy performance of costume-and-dance of the clbadic ABBA disco track. With flying confetti and every cast member wearing their most fabulous ABBA inspired outfits, the song is a surefire crowd delight that does its job to let the audience feel warm and blurry after the tearful and tearful end of the film
4. "When I kissed the teacher"
The film begins with a sensational performance by James Donna, Jessica Keenan Wynn and Alexa Davies as respective Dynamos. Taking place at the graduation of the Oxford University Trio, the group of girls tear off their graduation robes to give a hoarse and hysterical performance on this beloved B-ABBA side. The moment puts the film in place for its future show performances, and lets the audience know that their ticket was worth the $ 15 cost.
3. "Dancing Queen"
Looking at this footage for the first time, it is easy to compare it to the original version of ABBA's biggest hit. Both are held partly on a pier, both have giant castings of actors who synchronize and turn, and both obviously have a lot of dancing. But if you can watch Mamma Mia! Here we go again without smiling at least during this scene, then you are a stronger person than most. The simple cliché of the three boats heading for the harbor, paired with a hilarious play by Colin Firth, Pierce Brosnan and Stellan Skarsgård, make it one of the most enjoyable moments of the film.
2. "My Love, My Life"
When the opening of the film confirmed that Donna de Meryl Streep was dead, the audience felt shocked and cheated. Why would you kill the only character who served as an anchor for the entire series? But if that was what it took to get this beautifully sincere and sobbing number of Streep and Seyfried in the last moments of the movie, it was worth it. While Sophie brings her newborn son to her chapel to be baptized, Donna's spirit, invisible to everyone except Sophie, makes a tender farewell to her daughter and grandson before leaving the chapel and probably this world. We did not find a dry eye when the film ended with Streep closing the doors of this chapel.
1. "Fernando"
How could it have been another song? By the time Cher appeared in the movie trailer, the entire audience gasped and vowed to buy her tickets. Even though it was only present during the last 20 minutes of the film, Cher is undeniably the biggest part of Mamma Mia! Here we return . Her performance of "Fernando" is not only great just because of her impeccable vocals, but also because she represents everything the film should be. Rather than wasting an exorbitant time explaining why Sophie's grandmother sings a song to her former Latin lover (played excellently by Andy Garcia), the film simply saw her face, say her name, and embark on this fabulous performance from the clbadic ABBA. There is a crazy fireworks, it dances, it's incredibly cunning, and it's Cher . The whole movie basically becomes an elongated opening act for this song, and yet it was all worth it.
[ad_2]
Source link
