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It's been almost a decade since the release of your first film Pasanga. But the films you made do not look much like the artistic quality of this film …
The career of an individual does not always go as planned. After one point, you are carried away, depending on how the wind blows. When I was Pasanga, I never thought of making movies with great heroes. I just wanted to make movies comfortably. I was the guy who made movies for 2 crore or less. But that changed with the success of Kedi Billa Killadi Ranga (KBKR). Heroes, production houses, technicians … they all wanted to work with me. I also realized that I needed to make such films if I wanted to survive a long time. I've been able to support films like Moodar Koodam and Goli Soda because of KBKR . You need a lot more strength to keep making movies like Pasanga
Are you saying that you are not satisfied creatively when you make a KBKR?
When I make a film like this, I think of my family, the producer, the distributor and their happiness. My creative happiness comes from films like Pasanga Pasanga 2 and Marina . But that does not mean I'm dissatisfied with movies like KBKR . Before working on this film I had moved from 33 different apartments to Chennai. It's the movie that gave me my own home and my in-laws the confidence that I can take care of my wife.
That's a lot, since my first salary was ₹ 5000. I only studied until clbad XII … but that should not be the case with my children.
Does this mean that you can go back to making these 2-crore ₹ 2 movies?
Certainly. I have the intention of making several unconventional films and some of them need small budgets.
For example, I want to make a movie of one hour and 15 minutes without songs or scenes of action. I also want to make a movie that will only have an online version.
But there is a part to that; I can only make a small film parallel to a big budget movie. If I do not do it, then I will again be considered a director of ₹ 2 crore.
Where is [KadaiKuttySingam?
It's a very real movie for me, because it's about people and situations that I know in real life. Even though I moved to Chennai, I continue to travel to my village every month. There are 30 characters in this movie and most of them are based on people with whom I grew up. Other directors steal scenes from foreign movies, I steal scenes from my hometown (laughs).
![D'autres réalisateurs volent des films étrangers, je vole mon village, dit Pandiraj Other directors steal foreign films, I fly in my village, says Pandiraj](https://www.thehindu.com/static/img/1x1_spacer.gif)
So, the effort to recreate the incidents that you observed at the time did it was done?
Yes, that was the case. This is why I have discouraged improvisation and changes even in the modulation of the dialogue.
These scenes were played in front of me in reality, and I wanted that to be recreated exactly as I had seen it. So, if I remember an incident because it made me tear, I kept turning this scene until I was moved to tears, even if it meant a dozen times.
What about the action and then song sequences?
This is a commercial movie, after all. Honestly, I get bored on the sets when we shoot fights and songs. The only reason I still go to sets these days is to make sure the stuntmaster does not go too far. I do not want cars flying in my movies. I want them to be placed in an environment that I know.
![D'autres réalisateurs volent des films étrangers, je vole de mon village, dit Pandiraj Other directors steal foreign films, I fly in my village, says Pandiraj](https://www.thehindu.com/static/img/1x1_spacer.gif)
But you also made an urban film like Idhu Namma Aalu .
INA is a film that ended up becoming something very different from what it was supposed to be. But I have to take responsibility for that, just like how an actor gets the credit for success. It was a film that was far from my strength. It was like a villager who thinks he can play cricket just because he is an expert of gilli danda
In Kadai Kutty Singam, Karthi plays the role of a prosperous farmer . Does this not derogate from the reality of our farmers in the state?
This is a criticism that I know I will have to face. But I think that agriculture must be shown in a positive light for young people to adopt. It's the story of a successful farmer, just as there are millionaire businessmen who may have started with a potti kadai . Whatever the case may be, the film is more about the family than about farming.
I heard that you had some oddity about how you are credited in a movie …
Most of the films I've made are accompanied by 39, a credit "written and produced by Pandiraj". But there are some movies in which I prefer to use the tag "A Pandiraj Film", because she has my signature on it. Kadai Kutty Singam is one of them.
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