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The BROCKHAMPTON boys are looking for a way to go from the front. After releasing four albums in quick succession and compelling the best rapper, Ameer Vann, to be charged with sexual misconduct, the band experienced serious burnout and anxiety. So they took a six-month break to regroup and disperse. Abstract released a solo album and the group's $ 15 million deal took them out of their North Hollywood common home and dispersed them across Los Angeles; they are now in a central home studio, called Creative House, to record. The resulting album is overwhelming GINGER, a convincing but disconnected record about self-realization. Even the most beautiful songs of BROCKHAMPTON may seem cramped, but many of these songs, though each with their own little moments, are disorganized or ineffective.
GINGER A bit oddly, is born from a nascent relationship between BROCKHAMPTON members and beginner actor / performer / rapper Shia LaBeouf, who now runs a weekly group therapy session at Abstract & # 39; s. As Abstract says, LaBeouf has become a sort of lighthouse. "We want to make a summer album," said Abstract GQ in June, a feeling confirmed by his group comrades in recent days. He said: "Well-being. Not too sad and like "Oh, our life is zero", but rather "take advantage of what you have in front of you". "
We do not know if it was a troll or a misunderstanding, but GINGER is not a well-felt summer album. There are few things on this record that suggest enjoying anything. The mood can be boiled down to a discouraged couplet of Joba on the first match "No Halo": "I repeat / I talked to myself, I wondered who I am / I thought, I am better than him / In times like these, I just need to believe that all this is part of a plan / I've lost a part of me, but I'm still here. right here– present and justified, momentarily cleared of the debilitating fog that is dysthymia and usually between two traumas – is what constitutes a victory GINGER. The album is cloudy and often lovelorn. If you open a verse, you may find lyrics talking about being neglected, counting or being dropped in the middle. He is not as pessimistic, nervous or morose as iridescence but it's still pretty gay.
This gaiety is not a problem in itself, but the writing gets bogged down in a narrow perspective. BROCKHAMPTON is basically a group of outsiders explaining different ways of not integrating. That's at least a part of the attraction: they talk to many brands of loneliness. But they would benefit a lot from understanding what they have in common. This reluctance to find a semblance of comfort in the bond they have woven, to meet again in bizarre group, seems to be a huge source of their dysfunction as a unit. They are constantly trying to reconstruct broken personal stories in the midst of massive success, like decorated detectives obsessed with an insoluble cold affair.
Romil, Jabari and the rest of BROCKHAMPTON's production team keep the team charged with strange, bold rhythms that move, divide or diversify enough to accommodate the myriad of stage styles. At the beginning of GINGERThe trilogy of early hatchery producers – "No Halo", "Sugar" and "Boy Bye" – gives the impression that the crew has fully exploited its potential. The upbeat cameo of the slowthai British rapper also brings a nice touch. But as the album progresses, things fall apart and the songs split into pieces.
Regarding the creative process BROCKHAMPTON, the group has always had too many chefs at the service of eclecticism. But there are moments on GINGER where it seems that every artist on a given track has his own song in mind. The title track is a broken tableau of vocal performances that becomes almost squeaky. On "I'm Born Again", a parade without hooks of verse, the writing is cluttered and confusing. Kevin was their star, his gravity dragging everyone into his rotation. Even on the worst of Saturation trilogy, there was a sense of alignment, if not continuity.
Almost everyone offers a remarkable performance that strikes at one time or another, and many members seem to feel growth ("My attention to detail is up to the classic Impressionists", Dom McLennon rap on "If You Pray Right "). It's just that they separate, at least musically. There is little here that suggests holism. They like to think of themselves as a group of boys, but they are at least synchronized.
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