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Photo by: Pixabay
A number of filmmakers adore fueling fear related to overpopulation, epidemics and nuclear weaponry. These themes bring viewers to cinemas, reports BTA.
In the coming months, a number of similar films will be shown on screens, including "Mortal Engines" produced by Peter Jackson, "In-Rang" Kim Gehwin and "Luxembourg" by Miroslav Slaboshitsky
According to the Boxoffice.com expert Shaun Robbins, this genre is a definition of escape – a creative form that satisfies the primary desire to return to the main one. "The films in question are often seen as pessimistic visions of the future, and this interpretation is probably logical, but it can also be an internal self-badysis," he explains, "it is easy to see the fundamental principles of postcapalptic to learn lessons because at the center of all good history the physical condition of man is put to the test. "
Zombies, large fragments of rock from the depths of space and weapons of mbad destruction made by humans often but not always, are in the apocalypse axis ovata of the big screen. In 2007, "No Sound" by John Krasinski (2018), aggressive aliens wander, while in "I'm My Legend" (2007), "The Andromeda Stage" (1971) and "Twelve Monkeys" (1996) , the culprit is a virus. Other apocalyptic disasters are the geophysical or climatic event of the Green Sun (1973), Water World (1995), WOL-I (2008), or theories developed in the Terminator and Matrix series. In the Mad Max movie series, civilization is dying because of oil shortages and gangsters are crossing streets
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