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Who does not know the ABBA tubes "Money, Money, Money", "Do you want", "Dancing Queen", "The winner takes all" SOS "… From 18 to 22 July to the Sofia Opera, with the outstanding interest of our international and international audience, spent the first performances of the world musical "MAMMA MIA! ", Created in ABBA songs." Viewers saw that it was not just a compilation of the cult band's aging songs, but a musical with an original libretto, built on a talented combination of lyrics. The performance (by Judy Cramer, Libretto – Catherine Johnson, music – Benny Anderson and Bjorn Ulveus) entertained the audience with a dynamic plot of twists, intrigues, misunderstandings and pitfalls for the characters of On a small Greek island prepares the wedding of Sophie, 20. Who, however, is her father? She wants to reveal this secret without asking her mother and invites the three fathers supposed to take her. at the altar.The surprises in the plot are based on "windows" changing frequently – a parallel narrative that is typical of a TV series.But the main character is the music of the same time. ABBA, and the dance show and the complex and delicate humor lower the tension. The impressive installation introduced lyricism into the paradoxical drama of life
After playing dozens of performances in the world and under the auspices of great musical critics, this musical fascinated the Aboriginal audience with the innovative look of Academician Plamen Kartalov. He is the creator-institution of our musical culture. Only 6 weeks after the return of the Sofia Opera from the Moscow tour, the academician Kartalov mobilized his team and managed to achieve the play in a shortened rehearsal format. The scene shines youth, beauty, mood, hope
How does the "machine" of the world work on this popular musical? At the beginning of the year 2018, the American rights-holder conducts a casting, then a second to choose the best singers and actors in the country – among which are the permanent artists of the Opera and Theater musical, but new names. The co-producers Prospot and the owner of Music Theater International (Europe) do not only want to sell their rights but keep the quality of the overall image of the show. They monitor every detail, audience reaction, the work of the orchestra conductor, the scenographer, the choreographer. A high level to maintain after the first
And the next representations are at the "scene of the rocks of Belogradchik" – 26, 27, 28 and 29 July. Due to the huge interest in premieres, the Sofia Opera and Ballet opens its pre-season gates for seven extraordinary performances of "Mamma Mia!" On the following dates: 12, 13, 14, 15, 16 and 18 September 19:00 and 16 September from 11:00
Vesela Delcheva, Lucy Kozareva, Edelina Kaneva, Vladi Mihaylov, Orlin Goranov, Kiril Ivanov, Niki Sotirov, Alexander Georgiev , Nikolay Pavlov, Simeon Vladov, Yanitsa Maslinkova, Elena Stoyanova, Denitsa Shopova, Radoslav Vladimirov, Denko Prodanov, Boyan Arsov, Zhivko Simeonov, Georgi Dzhanov, John Conductor: Svetoslav Lazarov; Scenography: Nela Stoyanova; Costumes: Christiana Mihaleva; Choreography: Riolina Topalova; Muz. Preparation: Violeta Dimitrova;
"MAMMA MIA" – triumphant at the Sofia Opera
Who does not know the tubes of ABBA "Money, Money, Money", "Do you want", "Dancing Queen", "The winner takes everything", "SOS" … From July 18 to 22 at the Sofia Opera, with the outstanding interest of our international and international audience, has spent the first performances of the musical World "MAMMA MIA!" Created by the songs of ABBA. Viewers saw that it was not just a compilation of the cult band's aging songs, but a musical comedy with an original booklet, built on a talented combination of song lyrics. The performance (by Judy Cramer, Libretto – Catherine Johnson, music – Benny Anderson and Bjorn Ulveus) entertained the audience with a dynamic plot of twists, intrigues, misunderstandings and traps for the characters of the band. ;action. On a small Greek island prepares the wedding of Sophie, 20 years old. Who, however, is his father? She wants to reveal this secret without asking her mother and invites the three supposed fathers to take her to the altar. The surprises in the plot are based on "windows" changing frequently – a parallel narration that is typical of a television series. But the main character is ABBA music, and the dance show and the complex and delicate humor lower the tension. The impressive installation introduced lyricism into the paradoxical drama of life
After playing dozens of performances in the world and under the auspices of great musical critics, this musical fascinated the Aboriginal audience with the innovative look of Academician Plamen Kartalov. He is the creator-institution of our musical culture. Only 6 weeks after the return of the Sofia Opera from the Moscow tour, the academician Kartalov mobilized his team and managed to achieve the play in a shortened rehearsal format. The scene shines youth, beauty, mood, hope
How does the "machine" of the world work on this popular musical? At the beginning of the year 2018, the American rights-holder conducts a casting, then a second to choose the best singers and actors in the country – among which are the permanent artists of the Opera and Theater musical, but new names. The co-producers Prospot and the owner of Music Theater International (Europe) do not only want to sell their rights but keep the quality of the overall image of the show. They monitor every detail, audience reaction, the work of the orchestra conductor, the scenographer, the choreographer. A high level to maintain after the first
And the next representations are at the "scene of the rocks of Belogradchik" – 26, 27, 28 and 29 July. Due to the huge interest in premieres, the Sofia Opera and Ballet opens its pre-season gates for seven extraordinary performances of "Mamma Mia!" On the following dates: 12, 13, 14, 15, 16 and 18 September 19:00 and 16 September from 11:00
Vesela Delcheva, Lucy Kozareva, Edelina Kaneva, Vladi Mihaylov, Orlin Goranov, Kiril Ivanov, Niki Sotirov, Alexander Georgiev , Nikolay Pavlov, Simeon Vladov, Yanitsa Maslinkova, Elena Stoyanova, Denitsa Shopova, Radoslav Vladimirov, Denko Prodanov, Boyan Arsov, Zhivko Simeonov, Georgi Dzhanov, John Conductor: Svetoslav Lazarov; Scenography: Nela Stoyanova; Costumes: Christiana Mihaleva; Choreography: Riolina Topalova; Muz. Preparation: Violeta Dimitrova; Translation: Milena Borinova
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