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What worked for Ryan Reynolds did not work for Ben Affleck, but there are signs that the Justice League actor has the right ideas.
Fact: Ezra Miller and Grant Morrison may be the solution to the still unresolved equation of putting the scarlet speedster back on the road and on the road to the cinema. Friday, The Hollywood journalist broke the news that The flash gets help from Barry Allen himself (Miller), who is writing a screenplay with Morrison.
Although celebrities who take a hands-on approach to prestigious superhero projects are not new, we have seen the pros and cons of such initiatives. Ryan Reynolds proved essential to get dead Pool (2016) to work and find the voice of the character, and got a credit for scriptwriting on Deadpool 2. Ben Affleck, on the other hand, did not find a way to bring together The Batman to life as a writer or director, and finally left the cloak behind for a young actor. Miller, although he does not have any credited feature screenwriter credits, is certainly not misplaced with the famous comic book scribe Morrison by his side, and he might be able to move forward with a character which has clearly become dear to him since his beginnings. casting in Zack Snyder Batman v Superman: The Dawn of Justice (2016). The flash has reached a junction on the road, and what follows might determine how fast and how fast the character can run.
Warner Bros. is in the process of reshaping its cinematic universe. This reshuffle is reflected in a renewed interest in autonomous stories and projects led by filmmakers who are not opposed to redesigning familiar faces. The success of Wonder Woman (2017), Aquaman (2018), and the positive response that currently surrounds Shazam! Before it's released, Warner Bros. proved that it was no longer necessary to rely on Batman, Superman and that his superhero films were subject to strict continuity to capture the public's attention. It's an awareness that fans want to have a little earlier when Rick Famuyiwa (Dope) was attached to direct The flash, according to rumors, it would be an urban and enigmatic superhero movie co-starring with Ray Fisher's Cyborg. The capture of Famuyiwa seems to have come up against Warner Bros. & # 39; he was released in October 2016. He was not the first to attempt to tackle the project (Seth Grahame-Smith was already attached to the staging, while Phil Lord and Chris Miller wrote a treatment and have envisaged at one time to realize it).
There is little doubt that a Flash movie will eventually happen, but the big question is whether it will happen with Miller.
Last March, John Francis Daley and Jonathan Goldstein, who impressed Warner Bros. Night of game (2018) was hired to write and direct The flash. It's a year later and the film has not changed much. This was largely attributed to Miller's shooting schedule for another Warner property, Fantastic beasts. But now, creative differences have emerged. Daley and Goldstein would like the film to take a lighthearted approach, which is no surprise given their background in comedy and their scriptwriting work on the film. Spider-Man: Homecoming (2017). Miller, meanwhile, wants the film to take a dark and serious approach, closer to what the role promised him when he first enrolled in 2014. There are enough sources to give credibility to the film. one or the other direction, but Miller's enthusiasm for his character, as well as his frequent mention of time travel, multiverse and dimensional theories in the interviews, make his vision seem to As much more worthy of being presented on the screen.
It is not surprising that Miller found a spirit similar to Grant Morrison. They both seem to share the same next-level energy that stems from an interest in psychedelics, multiverse theories and queer identities. Morrison, originally from Scotland, is currently writing on DC Comics' The green lantern, is a must in modern comics. He was able to advance the medium by developing familiar concepts and adopting a comprehensive approach to continuity. He is known for his engaging and challenging work on Doom Patrol, The invisible ones, Animal man, New X-Men, and Batman. Morrison has co-authored several issues of The flash alongside Mark Millar in 1997 and 1998 and wrote the character in JLA, Final crisis, and Multiversity. Two of his most significant contributions to the Flash myth are Black Flash – the source of death for those who are related to speed-force, and Hypertime (co-created with Mark Waid) that allowed the existence of several chronologies in DC multiverse and continuity. to be rewritten on the fly. One of the greatest influences of Morrison is the The flash No. 123, Flash of two worlds (1961) who introduced the multiverse and brought together the Flash, Jay Garrick and Barry Allen versions of the Golden Age and Silver Age bands. It's easy to see how these elements could be part of a film adaptation that fits Miller's interest in the tribal aspects of the character's science fiction, and could position the character for a movie that takes us into worlds. entirely new, in the manner of James Wan. Aquaman made.
Together, Miller and Morrison have the opportunity to challenge the audience and the conventions of the superhero movie with their interpretation The flash. The CW is currently broadcasting the well-received television show, The flash, which has taken a light approach. If a film has to happen, it should perhaps stand out from the TV show and have a reason to exist going beyond simply presenting the character on the big screen. A Flash movie emphasizing the speed, the multiverse and the high-level concepts that Morrison is known for, seems like a good opportunity to miss. And Ezra Miller, whose most significant time as Barry Allen was delayed by Justice League reshoots, deserves a chance to finally run. Miller and Morrison's Flash maybe the test to see if Warner Bros is really ready to experiment the character and bring it to new dimensions, or just to settle for a well-traced path.
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