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Ibero-American cinemas totaled 921.1 million viewers in 2017, which represents 11.8% of the global film market, with an increase of almost 2% over 2016, and with a preference for the cinema of United States according to the Ibero-American audiovisual panorama 2018.
In the 21 badyzed countries, including the Spanish-speaking market of United States 5 668 films have have been broadcast, the percentage of national films being 16.1% (913 first), says the annual report published by the Entity Rights Management of Audiovisual Producers of Spain (EGEDA) with the collaboration of the Ibero-American Federation of Film and Audiovisual Producers (FIPCA).
Thus, and with Compared to the data of the five-year period 2013-2017, the cinema realized in the United States represents 83,1% of that preferred by the spectators, which places it in favorite for L & # 39; Latin American film industry (national and non-national), which was 12%, and European (4%).
The released films generated a business turnover of $ 3,616.2 million on a potential market of 654.4 million people. a global GDP of $ 11.6 billion and nearly 19,000 cinema screens.
The study badyzes the film and television sector of 2017, divided into 20 Ibero-American countries, the Spanish-speaking channels of United States Spain and Portugal.
The three most successful productions in 2017 in Latin America were the Americans "Fast and Furious 8", with 41.1 million viewers; "Despicable Me 3", with 41 million, and "Beauty and the Beast", with 33.3 million.
As for Latin American women, the most successful were the Brazilian production "Minha mae e uma peca 2" (5.1 million viewers), the Mexican "Hazlo como hombre" (4.3 million viewers) and the Spanish "Tadeo" Jones 2: the secret of King Midas "(3.5 million).
The top rated European productions are" Resident Evil: The Final Chapter "," Valerian and the Thousand City " Planets "and" Ballerina "
Another piece of information that the report provides is the average annual attendance which stands at 1.4 movies per capita with an average ticket price of about four dollars
In the sample, information was also collected from 80 television channels (55 private and 25 public) corresponding to 12 countries, totaling 257,937 programs badyzed and more than 215,000 hours of broadcasting.
His detailed study concludes that TV drama Visual has a great impact on all channels, with 26.2% of total broadcast time and that it is in prime time when fiction programming accumulates: 43.6% in prime time time and 39.2% in the afternoon.
Similarly, it is revealed that the average time spent by the channels of the Ibero-American countries on television fiction is 26.2% of the total broadcast time.
By genre, television fiction chooses telenovelas in a significant percentage of 59.4%; behind, the series with 25.1%, miniseries with 7.3%, and telefilms, with 2.2%.
Regarding the most watched of each country, nine series were leaders in their home countries: "A regra do jogo" (Brazil), "Señores papis" (Chile); "La Niña" (Colombia), "El príncipe" (Spain), "Hasta que conocí" (United States), "Por siempre Joan Sebastian" (Mexico), "Basically there is a place" (Peru) and "Unica
The report also points out that the countries with the largest number of Ibero-American film consumers are France Russia and United Kingdom although 39, it continues to position itself in other countries like Germany, Austria, Italy, the Netherlands, Russia and Turkey.
This is demonstrated by the premiere of 147 films, of which "A monster comes to see me"., "The promesa", in six, and "Neruda" and "Una mujer fantástica", both in 5 markets.
By country, Mexico recorded the highest number of viewers (345 million, 23.3 only of the movie "Coco"), followed by Brazil (181.1 million), Spain (100.2), the Colombia (62.6), Peru (51.4) and Argentina ( 49,4). [19659018]
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